These Keftiu, then, were the Minoans of the Great Palace period of Crete, the pre-Hellenic Greeks, the Pelasgi of old Greek tradition, in whose time the great civilization of the Minoan Empire reached its culminating point, and was within a little of its final disaster. It is a fortunate circumstance that Sen-mut and Rekh-ma-ra should have caused them to be portrayed when they did, for in two or three generations more the glory of Knossos had passed away, never to be revived. Greece gave to Egyptian scholars the key to the translation of the hieroglyphics in the Greek version of the Egyptian text on the Rosetta Stone; the paintings of the Theban tombs have paid back an instalment of that debt in showing us the likenesses of those 'Greeks before the Greeks' who dwelt in Crete. Perhaps some day the debt will be fully repaid by the discovery of a bilingual text in Egyptian and Minoan, giving us in hieroglyphics a version of some passage of that Minoan script which now exists only to tantalize us with records of an ancient history which we cannot read. Such a discovery is by no means beyond the bounds of possibility. It is not so long since Boghaz-Keui supplied us with a cuneiform version of the famous treaty between the Egyptians and the Hittites in the time of Ramses II.; perhaps some site in Crete or Egypt may yet provide us with a bilingual treaty between Tahutmes III. and the Minoan Sovereign of his time. After the time of Tahutmes, the evidences of connection between the two lands grow scanty once more. The fact that the faience of the time of Amenhotep III. has discarded the old Egyptian tradition of black upon blue, and now rejoices in splendid chocolates, purples, violets, reds, and apple-greens, shows that Cretan influence was still strong. Fragments of Late Minoan pottery found in abundance on the site of Akhenaten's new capital at Tell-el-Amarna show that even in the reign of this King, the heretic son and successor of Amenhotep III., Crete was still trading with Egypt. But before Akhenaten came to the throne, about 1380 B.C.--possibly twenty years before that event--the great catastrophe which brought the Minoan Empire of Knossos to a close had already happened. The Cretan wares which filtered into Egypt after 1400 B.C. were the products of the Minoan decadence, when the survivors of the Empire of the Sea-Kings--a broken and dwindling race--were still trying to maintain a slowly failing tradition of art under the new masters, perhaps the Mycenaeans of the mainland, who, driven forth themselves by the pressure of Northern invaders, had crushed in their turn the gentler sister civilization of Crete.