_Early Minoan II_.--The distinguishing characteristic of the second
period of Early Minoan is the greater freedom and originality shown
in the designs of the vases. The style of painted decoration remains
much the same as in the preceding period; but the vases now develop
long spouts or beaks, and are the 'beak-jugs' (Schnabelkanne) of
the German archaeologists. While a tendency may be observed to vary
the straight line decoration of Early Minoan I. by the introduction
of simple curves, there is also a revival of the fashion for the
old incised geometric-patterned ware. A curious development of
this period is found in the mottled ware from Vasiliki, where the
decoration was accomplished neither by incising nor by painting a
design, but by a method of firing in which the vases, first painted
red, were so placed that the hot coals actually came into contact
with the vases at certain points, and produced black patches upon
the red paint. The resultant mottled surface was then hand-polished,
and sometimes, but more rarely, used as the medium for a design
in white. To this period belong the oldest parts of the deposit
at Hagios Onouphrios, and the greater part of the contents of the
bee-hive chamber tomb at Hagia Triada, where, along with incised
and early painted vases, were found copper daggers with very short
triangular blades, a number of rude stone seals, and very primitive
idols, rudely imitating the human form. There are still no traces
of any surviving building on the hill of Knossos, nor is there any
definite link with Egypt to afford an opportunity for determining
the date of the period.
[Illustration XXIV: THE BASILICA. STONE LAMP. THE ROYAL VILLA, KNOSSOS
(_p_. 108)]
_Early Minoan III_.--In this period the proportion of painted vases
steadily increases, though for a time there is also a revival of
the incised ornament, attributed by Dr. Evans to influence from
the Cyclades, which at this time also gave to Crete the idea of
the flat, banjo-shaped human figurines which are characteristic
of the early deposits of Melos and Amorgos.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account