But the discovery which will doubtless prove in the end to be of greater importance than any other, though as yet the main part of its value is latent, was that of large numbers of clay tablets incised with inscriptions in the unknown script of the Minoans. By the end of March the finding of one tablet near the South Portico gave earnest of future discoveries, and before the season ended over a thousand had been collected from various deposits in the palace. Of these deposits, one contained tablets written in hieroglyphic; but the rest were in the linear script, 'a highly developed form, with regular divisions between the words, and for elegance scarcely surpassed by any later form of writing.' The tablets vary in shape and size, some being flat, elongated bars from two to seven and a half inches in length, while others are squarer, ranging up to small octavo. Some of them, along with the linear writing, supply illustrations of the objects to which the inscriptions refer. There are human figures, chariots and horses, cuirasses and axes, houses and barns, and ingots followed by a balance, and accompanied by numerals which probably indicate their value in Minoan talents. It looks as though these were documents referring to the royal arsenals and treasuries. 'Other documents, in which neither ciphers nor pictorial illustrations are to be found, may appeal even more deeply to the imagination. The analogy of the more or less contemporary tablets, written in cuneiform script, found in the Palace of Tell-el-Amarna, might lead us to expect among them the letters from distant governors or diplomatic correspondence. It is probable that some of them are contracts or public acts, which may give some actual formulae of Minoan legislation. There is, indeed, an atmosphere of legal nicety, worthy of the House of Minos, in the way in which these records were secured. The knots of string which, according to the ancient fashion, stood in the place of locks for the coffers containing the tablets, were rendered inviolable by the attachment of clay seals, impressed with the finely engraved signets, the types of which represented a great variety of subjects, such as ships, chariots, religious scenes, lions, bulls, and other animals. But--as if this precaution was not in itself considered sufficient--while the clay was still wet the face of the seal was countermarked by a controlling official, and the back countersigned and endorsed by an inscription in the same Mycenaean script as that inscribed on the tablets themselves.'[*] [Footnote *: _Monthly Review_, March, 1901, pp. 129, 130.]