This area, for whatever purpose it may have been designed, was
evidently an integral portion of the Later Palace structure, for no
fewer than five causeways converge upon it from different directions;
but it was in no sense a thoroughfare, and the rows of steps around
it do not lead, and can never have led, anywhere. What can have been
the purpose of its existence? Dr. Evans's view, which is generally
accepted, is that it was some sort of a primitive theatre, where
the inhabitants of the palace gathered to witness sports and shows
of some kind, the tiers of steps affording sitting accommodation
for them, while the bastion at the south-east angle may have been
a kind of Royal Box, from which Minoan majesty and its Court circle
surveyed the games. There would be accommodation on the steps for
some four or five hundred spectators.
It must be confessed that the place leaves much to be desired as
a theatre. The shallow steps must have made somewhat uncomfortable
sitting-places, though one must remember that the Minoan ladies
often, apparently, adopted a sitting posture which was more like
squatting than sitting, and that a seat found in 1901, evidently
designed for a woman's use, was only a trifle over 5 inches in
height. But male dignity required more lofty sitting accommodation;
the seat of the throne of Minos is nearly 23 inches high, and the
spectators of the Knossian theatre cannot have been all women.
Neither does the shape of the area appear to be particularly well
adapted to the purpose suggested; and, on the whole, if it were really
designed for a theatre, we must admit that the Minoan architects
were less happily inspired in its erection than in most of their
other works. At the same time, however, the obstinate fact remains
that we can suggest no other conceivable purpose which the place can
have served; and so, until some more likely use can be suggested,
we are scarcely entitled to demur to Dr. Evans's theory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account