At Palaikastro another town of closely-packed houses, covering a
space of more than 400 by 350 feet, has been revealed. Its existing
remains are of somewhat later date than those of Gournia, and the
houses are, on the whole, rather larger, but their general style
is much the same. Near the town, at Petsofa, Professor J. L. Myres
has unearthed, among a wealth of other votive offerings, a number
of curious clay figurines, interesting as being among the earliest
examples of polychrome decoration (they belong to Middle Minoan I.,
and are painted in a scheme of black and white, red and orange),
but still more interesting--'with their open corsage, wide-standing
collars, high shoe-horn hats, elaborate crinolines, and their general
impression of an inaccurate attempt at representing Queen Elizabeth'--as
evidence of how utterly unlike was the costume of prehistoric woman
in the AEgean area to the stately and simple lines of the classic
Greek dress.
The Cretan discoveries have tended as much as any work of recent
years to reduce the extravagant claims which used to be put forward
on behalf of the Phoenicians as originators of many of the elements
of ancient civilization, and evidence is now forthcoming to show that
originality in even their most famous and characteristic industry,
the dyeing of robes with the renowned 'Tyrian purple,' must be denied
to them and claimed for the Minoans. In 1903, Messrs. Bosanquet
and Currelly found on the island of Kouphonisi (Leuke), off the
south-east coast of Crete, a bank of the pounded shell of the murex
from which the purple dye was obtained, associated with pottery of
the Middle Minoan period; and in 1904 they discovered at Palaikastro
two similar purple shell deposits, in either case associated with
pottery of the same date.
[Illustration XVII: (1) HALL OF THE DOUBLE AXES (_p_. 86)
(2) GREAT STAIRCASE, KNOSSOS (_p_. 86)]
At Zakro, on the eastern coast of the island, Mr. Hogarth has excavated
the remains of what must have been an important trading-station.
In one single house of one of its merchants he came upon 500 clay
seal-impressions, with specimens of almost every type of Cretan
seal design, which had evidently been used for sealing bales of
goods. Some of the Zakro pottery also was of extreme beauty, one
specimen in particular, conspicuous from the fact that its delicate
decoration had been laid on subsequent to the firing of the vessel,
and could be removed by the slightest touch of the finger, showing
evident traces of Egyptian influence in its adaptation of the familiar
lotus design of Nilotic decorative art (Plate XXIX. 2).
Public-domain text, read in full here on John Shaqi.
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