I could not help laughing to see how the cunning old fellow had caught me. I have not yet been able to find out how much of truth there was in his story. From the twinkle of his eye I cannot help suspecting that if he did not invent the tale, he embellished it, at least, in order to produce the effect which he certainly did produce. Humour was clearly his predominant disposition, the reflex of which was to be seen, after a mild lunar fashion, on the countenance of his wife. Neither could I help thinking with pleasure, as I turned away, how the merry little old man would enjoy telling his companions how he had posed the new parson. Very welcome was he to his laugh for my part. Yet I gladly left the churchyard, with its sunshine above and its darkness below. Indeed I had to look up to the glittering vanes on the four pinnacles of the church-tower, dwelling aloft in the clean sunny air, to get the feeling of the dark vault, and the floating coffin, and the knocking heard in the windy church, out of my brain. But the thing that did free me was the reflection with what supreme disregard the disincarcerated spirit would look upon any possible vicissitudes of its abandoned vault. For in proportion as the body of man’s revelation ceases to be in harmony with the spirit that dwells therein, it becomes a vault, a prison, from which it must be freedom to escape at length. The house we like best would be a prison of awful sort if doors and windows were built up. Man’s abode, as age begins to draw nigh, fares thus. Age is in fact the mason that builds up the doors and the windows, and death is the angel that breaks the prison-house and lets the captives free. Thus I got something out of the sexton’s horrible story. But before the week was over, death came near indeed--in far other fashion than any funereal tale could have brought it. One day, after lunch, I had retired to my study, and was dozing in my chair, for the day was hot, when I was waked by Charlie rushing into the room with the cry, “Papa, papa, there’s a man drowning.”