Christian fiction; Neighborhoods -- Scotland -- Fiction
She ran off, and was ready in a few minutes. We gave the driver
directions, and set off. It was a long drive. At length he stopped
at the door of a very common-looking house, in a very dreary-looking
street, in which no man could possibly identify his own door except by
the number. I knocked. A woman who looked at once dirty and cross, the
former probably the cause of the latter, opened the door, gave a bare
assent to my question whether Mr. Percivale was at home, withdrew to her
den with the words “second-floor,” and left us to find our own way up
the two flights of stairs. This, however, involved no great difficulty.
We knocked at the door of the front room. A well-known voice cried,
“Come in,” and we entered.
Percivale, in a short velvet coat, with his palette on his thumb,
advanced to meet us cordially. His face wore a slight flush, which
I attributed solely to pleasure, and nothing to any awkwardness in
receiving us in such a poor place as he occupied. I cast my eyes round
the room. Any romantic notions Wynnie might have indulged concerning the
marvels of a studio, must have paled considerably at the first glance
around Percivale’s room--plainly the abode if not of poverty, then of
self-denial, although I suspected both. A common room, with no carpet
save a square in front of the fireplace; no curtains except a piece
of something like drugget nailed flat across all the lower half of
the window to make the light fall from upwards; two or three horsehair
chairs, nearly worn out; a table in a corner, littered with books and
papers; a horrible lay-figure, at the present moment dressed apparently
for a scarecrow; a large easel, on which stood a half-finished
oil-painting--these constituted almost the whole furniture of the room.
With his pocket-handkerchief Percivale dusted one chair for Wynnie and
another for me. Then standing before us, he said:
“This is a very shabby place to receive you in, Miss Walton, but it is
all I have got.”
“A man’s life consisteth not in the abundance of the things he
possesses,” I ventured to say.
“Thank you,” said Percivale. “I hope not. It is well for me it should
not.”
“It is well for the richest man in England that it should not,” I
returned. “If it were not so, the man who could eat most would be the
most blessed.”
“There are people, even of my acquaintance, however, who seem to think
it does.”
“No doubt; but happily their thinking so will not make it so even for
themselves.”
“Have you been very busy since you left us, Mr. Percivale?” asked
Wynnie.
“Tolerably,” he answered. “But I have not much to show for it. That on
the easel is all. I hardly like to let you look at it, though.”
“Why?” asked Wynnie.
“First, because the subject is painful. Next, because it is so
unfinished that none but a painter could do it justice.”
“But why should you paint subjects you would not like people to look
at?”
“I very much want people to look at them.”
“Why not us, then?” said Wynnie.
Public-domain text, read in full here on John Shaqi.
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