But, when she had gone, and had lain herself down upon the soft, dry sand within that cave, sleep refused to come to her. The night before she had slept long and soundly, perhaps because of all that she had gone through, and because also she was battered and bruised and weak after her immersion in the sea and the contact with the rocks. But to-night she could not do so--her mind was now triumphant over her body; the hour of that mind's agony was upon her. And she bent and swayed beneath this agony, and recognised, acknowledged, all the ruin that had fallen on her future life and hopes and dreams of happiness to come. Her lover, her future husband, was gone--was dead! Her heart was broken; there was in actual fact no future before her. She had loved him madly, blindly, almost from the first time she had set eyes on him, and now--now he was dead. There was nothing more. She would never love any other man; none other could ever find his way into her heart as Gilbert Bampfyld had done, nor set every pulse and fibre in her body stirring, nor cause her to thank God when she awoke each morning that another day had dawned when, even though she might not see him, she could still pass many waking hours in thinking of him. No; no other man would ever have the power to cause all that. Henceforth, if she ever left this island alive, it would be to return to a joyless, hopeless life--a woman widowed ere she had become a wife. Thus she thought and mused as she lay in the cave, her head supported on one hand while she looked out on all that devilish, cruel waste of waters which had hurled the ship to its destruction and slain almost every soul on board her, and which now--like some wanton trampling on the ruin and despair that she has caused--was smiling before her in the rays of a crescent moon that was just peeping above the eastern horizon. Indeed, the glimmer which this young moon sent shimmering along the tropical sea was not unlike the false sad smile that a wanton's lips might wear in the hour of her victim's ruin; the smile that bespeaks 'the painting of a sorrow, a face without a heart.'