The Second Book of Modern Verse: A Selection from the Work of Contemporaneous American Poets
General
The Second Book of Modern Verse: A Selection from the Work of Contemporaneous American Poets
American poetry -- 20th century
Leonard, William Ellery. [1876-1944] (2)
Born at Plainfield, N.J., Jan. 25, 1876. A.B. Boston University, 1898;
A.M. Harvard, 1899. Fellow of Boston University in philology and literature,
1900; student University of Gottingen, 1901; University of Bonn, 1902;
fellow of Columbia University, 1902-03; Ph.D. Columbia, 1904.
After receiving these various degrees, Mr. Leonard began his work
as Instructor of Latin at Boston University, going from there
to the University of Wisconsin where he has remained continuously since 1906,
as Assistant Professor of English. He has written extensively
on classic subjects, in addition to his work in poetry,
and has also published volumes in the field of literary criticism.
His best-known works are: "Byron and Byronism in America", 1905;
"Sonnets and Poems", 1906; "The Fragments of Empedocles", 1908;
"The Poet of Galilee", 1909; "The Vaunt of Man", 1912;
"Glory of the Morning", a play, 1912; "Aesop and Hyssop", 1913.
Mr. Leonard has also made a remarkable blank-verse translation of Lucretius,
which was published in 1916, and has translated from the Greek and the German.
Lindsay, Vachel. [1879-1931] (4)
Born in Springfield, Ill., Nov. 10, 1879. Educated at Hiram College, Ohio.
His first intention was to enter the field of art and he became a student
at the Art Institute of Chicago where he remained from 1900 to 1903,
continuing his work at the New York School of Art, 1904-05,
under the personal instruction of Wm. Chase and Robert Henri.
For a time after his technical study, he lectured upon art
in its practical relation to the community, and returning to his home
in Springfield, Ill., issued what might be termed his manifesto
in the shape of "The Village Magazine", divided about equally
between prose articles pertaining to the beautifying of his native city,
and poems, illustrated by his own drawings. Both the verse and drawings
showed a delightful imagination; the poetry in particular,
unlike the more elaborate technique of his later work,
had a Blake-like simplicity. Soon after the publication of
"The Village Magazine", Mr. Lindsay, taking as scrip for the journey,
"Rhymes to be Traded for Bread", made a pilgrimage on foot
through several Western States, going as far afield as New Mexico.
The story of this journey is given in his volume, "Adventures While Preaching
the Gospel of Beauty", 1916. Mr. Lindsay had taken an earlier journey
on foot, from Jacksonville, Fla., to Springfield, Ill.,
which he has recorded in "A Handy Guide for Beggars", also 1916.
This is much the finer volume of the two and should take its place
with the permanent literature of vagabondage. In 1913 Mr. Lindsay came
into wide notice by his poem, "General William Booth Enters into Heaven",
which became the title poem of his first volume of verse, published in 1913.
This was followed by "The Congo", 1914; "The Chinese Nightingale", 1917;
and "Golden Whales of California", 1920. He based all his later work upon
Public-domain text, read in full here on John Shaqi.
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