To Pearl these decorations were full of beauty, all except the wool wreath, which hung over the lounge in a deep frame covered with glass; but its indigo and mustard coloured roses and swollen bright green leaves made her suspicious that it was not in keeping with the findings of good taste. There was something in Pearl's sympathetic interest that encouraged Martha to show her the contents of a cupboard upstairs in her room. There were quilts in abundance. Martha held them up lovingly in different angles to show how they "make a pattern every way you look at them." There were the "Pavements of New York" in blue and white, the "Double Irish Chain" in red and white, "Fox and Geese" in buff and white; there were daintily hemstitched sheets and pillow covers; there were hooked mats in great variety, a lovely one in autumn leaves which seemed a wonderful creation to Pearl; there were pin-cushions, all ribbon and lace, and picture-frames ready for pictures, made of pine cones that Martha had gathered on the sand-hills of the Assiniboine. When Pearl had feasted her eyes on all these wonders and praised them abundantly, Martha opened her trunk and showed her a still more precious store of hand embroidery, such beautiful garments as Pearl had never dreamed of. "Martha," she cried impulsively, "are you going to be married, too?" Martha's pale face flushed painfully, and Pearl was quick to see her mistake. "No, I am not, Pearl," she answered steadily. "Not just now," Pearl said, trying to speak carelessly; "but, of course, you will some time. Such a clever girl as you are will be sure to get married. You're a dandy housekeeper, Martha, and when it comes to gettin' married, that's what counts." "Oh, no, Pearl, there are other things more important than that," Martha spoke sadly and with settled conviction. She was standing at the foot of the bed, looking out between the muslin curtains at the level stretch of country, bordered by the wooded river bank. She had been looking at this same scene, varied only by the changing seasons, for many weary, wearing years, and the big elms on the river bank had looked back indifferently, although they must have known that Martha was growing old, that Martha was fading, and that the chances of the trunk and cupboardful ever being used were growing less. The long arms of the windmill on the barn caught the sunlight and threw it in a thousand dancing splinters on the floor behind her. "Being a good housekeeper hasn't got anything to do with getting married," she said again, and her voice was tense with feeling. "I can work and keep house, and sew and bake; but no man would ever fancy me' why should he? A man wants his wife to be pretty and smart and bright, and what am I?" The strain in her voice struck Pearl's heart with pity. "I am old, and wrinkled, and weatherbeaten. Look at that, Pearl." She held up her hands, so cruelly lined and calloused: "That's my picture; they look like me."