Afterward Cosmo put upon the stage "Hamlet," and "Othello," and "Macbeth,"
and "Coriolanus," and "Julius Caesar," but he avoided, for the present, the
less tragic dramas. And all of them, being new to the hearers, produced an
enormous effect.
On alternate nights he substituted music for the drama, and, as this was
confined to the most majestic productions of the great masters of the past,
many of whose works, like those of Shakespeare, had long been neglected if
not forgotten, their power over the spirits of the company was, perhaps,
even more pronounced.
Cosmo Versál was already beginning the education of his chosen band of
race regenerators, while he mused upon the wonders that the science of
eugenics would achieve after the world should have reemerged from the
waters.
One of the most singular effects of the music was that produced upon the
insane billionaire, Amos Blank. He had been confined in the room that
Cosmo had assigned to him, and was soothed, whenever Cosmo could find time
to visit him, with pretended acquiescence in his crazed notion that the
trip of the Ark was part of a scheme to "corner" the resources of the
world.
Cosmo persuaded him that the secret was unknown except to themselves, and
that it was essential to success that he (Blank) should remain in
retirement, and accordingly the latter expressed no desire to leave his
place of imprisonment, which he regarded as the headquarters of the
combination, passing hours in covering sheets of paper with columns of
figures, which he fancied represented the future profits of the
enterprise.
One night when a symphony of Beethoven was to be played, Cosmo led Amos
Blank through the crowded saloon and placed him near the musicians. He
resisted at first, and when he saw the crowd he drew back, exclaiming:
"What? Not overboard yet?"
But Cosmo soothed him with some whispered promise, and he took his seat,
glancing covertly around him. Then the instruments struck up, and
immediately fixed his attention. As the musical theme developed his eyes
gradually lost their wild look, and a softened expression took its place.
He sank lower in his seat, and rested his head upon his hand. His whole
soul seemed, at last, to be absorbed in the music. When it was finished
Blank was a changed man.
Then Cosmo clearly explained to him all that had happened.
After the first overwhelming effect of his reawakening to the realities
of his situation had passed, the billionaire was fully restored to all
his faculties. Henceforth he mingled with the other passengers and, as if
the change that had come over his spirit had had greater results than the
simple restoration of sanity, he became one of the most popular and useful
members of Cosmo Versál's family of pilgrims.
Public-domain text, read in full here on John Shaqi.
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