Her beauty and her cleverness might have saved her, had she been of one of those "good families" whom fashionables the world over recognize, regardless of their wealth or poverty, because recognition of them gives an elegant plausibility to the pretense that Mammon is not the supreme god in the Olympus of aristocracy. But--who were the Rangers? They might be "all right" in Saint X, but where was Saint X? Certainly, not on any map in the geography of fashion. So Adelaide, sore but too lethargic to suffer, drifted drearily along, feeling that if Dory Hargrave were not under the influence of that brilliant, vanished past of hers, even he would abandon her as had the rest, or, at least, wouldn't care for her. Not that she doubted his sincerity in the ideals he professed; but people deceived themselves so completely. There was her own case; had she for an instant suspected how flimsily based was her own idea of herself and of her place in the world?--the "world" meaning, of course, "the set." As is the rule in "sets," her self-esteem's sole foundation had been what she had, or, rather, what the family had, and now that that was gone, she held what was left cheap indeed--and held herself the cheaper that she could feel thus. At the outset, Arthur, after the familiar male fashion, was apparently the weaker of the two. But when the test came, when the time for courageous words was succeeded by the time for deeds, the shrinking from action that, since the nation grew rich, has become part of the education of the women of the classes which shelter and coddle their women, caused Adelaide to seem feeble indeed beside her brother. Also--and this should never be forgotten in judging such a woman--Arthur had the advantage of the man's compulsion to act, while Adelaide had the disadvantage of being under no material necessity to act--and what necessity but the material is there? Dory--his love misleading his passion, as it usually does when it has much influence before marriage--reasoned that, in the interest of the Adelaide that was to be, after they were married, and in his own interest with her as well, the wise course for him to pursue was to wait until time and the compulsion of new circumstances should drive away her mood, should give her mind and her real character a chance to assert themselves. In the commission to go abroad, he saw the external force for which he had been waiting and hoping. And it seemed to him most timely--for Ross's wedding invitations were out. "Two weeks," said Adelaide absently. "You will sail in two weeks." Then in two weeks she could be out of it all, could be far away in new surroundings, among new ideas, among strangers. She could make the new start; she could submerge, drown her old self in the new interests. "Will you come?" he said, when he could endure the suspense no longer. "Won't you come?" She temporized. "I'm afraid I couldn't--oughtn't to leave--mother and Arthur just now."