Children of the rich -- Fiction; United States -- Social life and customs -- Fiction
"I shan't go without you," said Adelaide, trying hard to make her tone
firm and final.
Dory leaned across the table toward her--they were in the garden of a
cafe in the Latin Quarter. "If you don't go, Del," said he, "you'll make
me feel that I am restraining you in a way far meaner than a direct
request not to go. You want to go. I want you to go. There is _no_ reason
why you shouldn't."
Adelaide smiled shamefacedly. "You honestly want to get rid of me?"
"Honestly. I'd feel like a jailer, if you didn't go."
"What'll you do in the evenings?"
"Work later, dine later, go to bed and get up earlier."
"Work--always work," she said. She sighed, not wholly insincerely. "I
wish I weren't so idle and aimless. If I were the woman I ought to be--"
"None of that--none of that!" he cried, in mock sternness.
"I ought to be interested in your work."
"Why, I thought you were!" he exclaimed, in smiling astonishment.
"Oh, of course, in a way--in an 'entertainment' sort of way. I like to
hear you talk about it--who wouldn't? But I don't give the kind of
interest I should--the interest that thinks and suggests and stimulates."
"Don't be too sure of that," said Dory. "The 'helpful' sort of people are
usually a nuisance."
But she knew the truth, though passion might still be veiling it from
him. Life, before her father's will forced an abrupt change, had been to
her a showman, submitting his exhibits for her gracious approval,
shifting them as soon as she looked as if she were about to be bored; and
the change had come before she had lived long enough to exhaust and weary
of the few things he has for the well-paying passive spectator, but not
before she had formed the habit of making only the passive spectator's
slight mental exertion.
"Dory is so generous," she thought, with the not acutely painful kind of
remorse we lay upon the penitential altar for our own shortcomings, "that
he doesn't realize how I'm shirking and letting him do all the pulling."
And to him she said, "If you could have seen into my mind while Janet was
here, you'd give me up as hopeless."
Dory laughed. "I had a glimpse of it just now--when you didn't like it
because I couldn't see my way clear to taking certain people so seriously
as you think they deserve."
"But you _are_ prejudiced on that subject," she maintained.
"And ever shall be," admitted he, so good-humoredly that she could not
but respond. "It's impossible for me to forget that every luxurious idler
means scores who have to work long hours for almost nothing in order that
he may be of no use to the world or to himself."
"You'd have the whole race on a dead level," said Adelaide.
"Of material prosperity--yes," replied Dory. "A high dead level. I'd
abolish the coarse, brutal contrasts between waste and want. Then there'd
be a chance for the really interesting contrasts--the infinite varieties
of thought and taste and character and individuality."
Public-domain text, read in full here on John Shaqi.
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