Children of the rich -- Fiction; United States -- Social life and customs -- Fiction
"No doubt he and Theresa are happy together," said Adelaide, clinging to
her pretense with a persistence that might have given her interesting and
valuable light upon herself had she noted it.
"Happy?" Henrietta Hastings laughed. "Only stupid people are happy, my
dear. Theresa may be happy, but not Ross. He's far too intelligent. And
Theresa isn't capable of giving him even those moments of happiness that
repay the intelligent for their routine of the other sort of thing."
"Marriage doesn't mean much in a man's life," said Adelaide. "He has his
business or profession. He is married only part of each day, and that the
least important part to him."
"Yes," replied Henrietta, "marriage is for a man simply a peg in his
shoe--in place or, as with Ross Whitney, out of place. One look at his
face was enough to show me that he was limping and aching and groaning."
Adelaide found this pleasantry amusing far beyond its merits. "You can't
tell," said she. "Theresa doesn't seem the same to him that she does
to--to us."
"Worse," replied Henrietta, "worse. It's fortunate they're rich. If the
better class of people hadn't the money that enables them to put buffers
round themselves, wife-beating wouldn't be confined to the slums. Think
of life in one of two small rooms with a Theresa Howland!"
Adelaide had fallen, as far as could one of her generous and tolerant
disposition, into Henrietta's most infectious habit of girding at
everyone humorously--the favorite pastime of the idle who are profoundly
discontented with themselves. By the time Mrs. Hastings left her at the
lofty imported gates of Villa d'Orsay, they had done the subject of
Theresa full justice, and Adelaide entered the house with that sense of
self-contempt which cannot but come to any decent person after meting out
untempered justice to a fellow-mortal. This did not last, however; the
pleasure in the realization that Ross did not care for Theresa and did
care for herself was too keen. As the feminine test of feminine success
is the impression a woman makes upon men, Adelaide would have been
neither human nor woman had she not been pleased with Ross's discreet and
sincerely respectful, and by no means deliberate or designing disclosure.
It was not the proof of her power to charm the male that had made her
indignant at herself. "How weak we women are!" she said to herself,
trying to assume a penitence she could not make herself feel. "We really
ought to be locked away in harems. No doubt Dory trusts me
absolutely--that's because other women are no temptation to him--that is,
I suppose they aren't. If he were different, he'd be afraid I had his
weakness--we all think everybody has at least a touch of our infirmities.
Of course I can be trusted; I've sense enough not to have my head turned
by what may have been a mere clever attempt to smooth over the past."
Then she remembered Ross's look at her hand, at her wedding ring, and
Henrietta's confirmation of her own diagnosis.
Public-domain text, read in full here on John Shaqi.
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