Children of the rich -- Fiction; United States -- Social life and customs -- Fiction
In the phaeton Del sat between them and drove. Dory forgot the honors he
had come home to receive; he had eyes and thoughts only for her, was
impatient to be alone with her, to reassure himself of the meaning of the
blushes that tinted her smooth white skin and the shy glances that stole
toward him from the violet eyes under those long lashes of hers. Dr.
Hargrave resumed the subject that was to him paramount. "You see,
Theodore, your steamer's being nearly two days late brings you home just
a day before the installation. You'll be delivering, your address at
eleven to-morrow morning."
"So I shall," said Dory absently.
"You say it's ready. Hadn't you better let me get it type-written for
you?"
Dory opened the bag at his feet, gave his father a roll of paper. "Please
look it over, and make any changes you like."
Dr. Hargrave began the reading then and there. He had not finished the
first paragraph when Dory interrupted with, "Why, Del, you're passing
our turning."
Del grew crimson. The doctor, without looking up or taking his mind off
the address, said: "Adelaide gave up Mrs. Dorsey's house several weeks
ago. You are living with us."
Dory glanced at her quickly and away. She said nothing. "He'll
understand," thought she--and she was right.
Only those who have had experience of the older generation out West
would have suspected the pride, the affection, the delight hiding behind
Martha Skeffington's prim and formal welcome, or that it was not
indifference but the unfailing instinct of a tender heart that made her
say, after a very few minutes: "Adelaide, don't you think Dory'd like to
look at the rooms?"
Del led the way, Dory several feet behind her--deliberately, lest he
should take that long, slender form of hers in his arms that he might
again feel her bosom swelling and fluttering against him, and her fine,
thick, luminous hair caressing his temple and his cheek. Miss Skeffington
had given them the three large rooms on the second floor--the two Dory
used to have and one more for Del. As he followed Del into the sitting
room he saw that there had been changes, but he could not note them. She
was not looking at him; she seemed to be in a dream, or walking with the
slow deliberate steps one takes in an unfamiliar and perilous path.
"That is still your bedroom," said she, indicating one of the doors.
"A stationary stand has been put in. Perhaps you'd like to freshen
up a bit."
"A stationary stand," he repeated, as if somewhat dazed before this
practical detail. "Yes--I think so."
Public-domain text, read in full here on John Shaqi.
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