"Of course there's a chance that the change may put the dancers out, yet
I don't think so. I noticed it was rather simple music, and they're so
well drilled they're not very dependent on the music. Anyhow, people
will be too interested in the costumes and the steps to notice whether
the music is strictly appropriate. As long as you give them something in
precisely the right time, I don't believe the change will bother them. I
can coach you on that."
"All right," and Just hurried back to the telephone.
Within three-quarters of an hour he had them all there, a laughing crew,
ready for what struck them as a frolic for themselves. Chester Agnew
carried the instruments behind the screen, and managed to slip the
members of the new orchestra one by one from the dining-room doorway to
the shelter of the palms without anybody's being the wiser. In ten
minutes more soft music began to steal through the crowded rooms.
"The orchestra has come, after all," said Mrs. Agnew to her husband, in
the front room. Her voice breathed relief.
He nodded satisfaction. "So I hear. I don't know how they managed it,
but I accept the fact without question."
"Do you think it's always safe to do that?" queried his son Chester,
coming up in time to hear.
"Accept facts without question? What else can you do with facts?"
"But if they should turn out not to be facts?"
"In this case I have the evidence of my ears," returned the learned man,
comfortably, and Chester walked away again, his eyes dancing.
"Nobody can tell you from Lindmann," he whispered, behind the screen,
during an interval.
"That's good. Hope the delusion keeps up. We don't feel much like
Lindmann," returned Churchill, hastily turning over a pile of music.
"Get your crowd to talking as loud as it can--then we're comparatively
safe. Where's the second violin part of 'King Manfred'? Look out,
Just--you hit my elbow twice with your bow-arm last time. These quarters
are a bit--There you are, Charlotte. Now take this thing slow, and look
to your phrasing. All ready!"
The costume dances did not come until after supper. By that time the
Churchills and Birches, behind the screen, had settled down to steady
work. During supper a violin, with the 'cello and bass, carried on the
music, while Doctor Churchill, Celia and Carolyn Houghton planned a
substitute programme for the dances.
In two cases they found the original music familiar; in most of the
others it proved not very difficult to adapt other music. The leaders of
the dances were told that whatever happened they were to carry through
their parts without showing signs of distress.
"It's a pretty big bluff," murmured Jeff, leaning back in his chair and
mopping a perspiring brow. "Phew-w. but it's hot in here! I expect to
see several of those crazy dances go all to pieces on our account. That
Highland Fling! Mind you keep up a ripping time on that. It ought to be
piped, not stringed."
Public-domain text, read in full here on John Shaqi.
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