Anarchists -- Fiction; Bombings -- Fiction; Conspiracies -- Fiction; London (England) -- Fiction; Political fiction
Thus they discussed on familiar lines the bearings of a new situation.
And the cab jolted. Mrs Verloc’s mother expressed some misgivings.
Could Stevie be trusted to come all that way alone? Winnie maintained
that he was much less “absent-minded” now. They agreed as to that. It
could not be denied. Much less—hardly at all. They shouted at each
other in the jingle with comparative cheerfulness. But suddenly the
maternal anxiety broke out afresh. There were two omnibuses to take, and
a short walk between. It was too difficult! The old woman gave way to
grief and consternation.
Winnie stared forward.
“Don’t you upset yourself like this, mother. You must see him, of
course.”
“No, my dear. I’ll try not to.”
She mopped her streaming eyes.
“But you can’t spare the time to come with him, and if he should forget
himself and lose his way and somebody spoke to him sharply, his name and
address may slip his memory, and he’ll remain lost for days and days—”
The vision of a workhouse infirmary for poor Stevie—if only during
inquiries—wrung her heart. For she was a proud woman. Winnie’s stare
had grown hard, intent, inventive.
“I can’t bring him to you myself every week,” she cried. “But don’t you
worry, mother. I’ll see to it that he don’t get lost for long.”
They felt a peculiar bump; a vision of brick pillars lingered before the
rattling windows of the cab; a sudden cessation of atrocious jolting and
uproarious jingling dazed the two women. What had happened? They sat
motionless and scared in the profound stillness, till the door came open,
and a rough, strained whispering was heard:
“Here you are!”
A range of gabled little houses, each with one dim yellow window, on the
ground floor, surrounded the dark open space of a grass plot planted with
shrubs and railed off from the patchwork of lights and shadows in the
wide road, resounding with the dull rumble of traffic. Before the door
of one of these tiny houses—one without a light in the little downstairs
window—the cab had come to a standstill. Mrs Verloc’s mother got out
first, backwards, with a key in her hand. Winnie lingered on the
flagstone path to pay the cabman. Stevie, after helping to carry inside
a lot of small parcels, came out and stood under the light of a gas-lamp
belonging to the Charity. The cabman looked at the pieces of silver,
which, appearing very minute in his big, grimy palm, symbolised the
insignificant results which reward the ambitious courage and toil of a
mankind whose day is short on this earth of evil.
Public-domain text, read in full here on John Shaqi.
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