Mr Verloc was sorry. His sister Winnie had impressed upon him (in the omnibus) that Mr Verloc would be found at home in a state of sorrow, and must not be worried. His father’s anger, the irritability of gentlemen lodgers, and Mr Verloc’s predisposition to immoderate grief, had been the main sanctions of Stevie’s self-restraint. Of these sentiments, all easily provoked, but not always easy to understand, the last had the greatest moral efficiency—because Mr Verloc was _good_. His mother and his sister had established that ethical fact on an unshakable foundation. They had established, erected, consecrated it behind Mr Verloc’s back, for reasons that had nothing to do with abstract morality. And Mr Verloc was not aware of it. It is but bare justice to him to say that he had no notion of appearing good to Stevie. Yet so it was. He was even the only man so qualified in Stevie’s knowledge, because the gentlemen lodgers had been too transient and too remote to have anything very distinct about them but perhaps their boots; and as regards the disciplinary measures of his father, the desolation of his mother and sister shrank from setting up a theory of goodness before the victim. It would have been too cruel. And it was even possible that Stevie would not have believed them. As far as Mr Verloc was concerned, nothing could stand in the way of Stevie’s belief. Mr Verloc was obviously yet mysteriously _good_. And the grief of a good man is august. Stevie gave glances of reverential compassion to his brother-in-law. Mr Verloc was sorry. The brother of Winnie had never before felt himself in such close communion with the mystery of that man’s goodness. It was an understandable sorrow. And Stevie himself was sorry. He was very sorry. The same sort of sorrow. And his attention being drawn to this unpleasant state, Stevie shuffled his feet. His feelings were habitually manifested by the agitation of his limbs. “Keep your feet quiet, dear,” said Mrs Verloc, with authority and tenderness; then turning towards her husband in an indifferent voice, the masterly achievement of instinctive tact: “Are you going out to-night?” she asked.