Anarchists -- Fiction; Bombings -- Fiction; Conspiracies -- Fiction; London (England) -- Fiction; Political fiction
“I wouldn’t have believed it possible,” he muttered. “Nobody would.”
She heard him move about and the snapping of a lock in the parlour door.
Comrade Ossipon had turned the key on Mr Verloc’s repose; and this he did
not from reverence for its eternal nature or any other obscurely
sentimental consideration, but for the precise reason that he was not at
all sure that there was not someone else hiding somewhere in the house.
He did not believe the woman, or rather he was incapable by now of
judging what could be true, possible, or even probable in this astounding
universe. He was terrified out of all capacity for belief or disbelief
in regard of this extraordinary affair, which began with police
inspectors and Embassies and would end goodness knows where—on the
scaffold for someone. He was terrified at the thought that he could not
prove the use he made of his time ever since seven o’clock, for he had
been skulking about Brett Street. He was terrified at this savage woman
who had brought him in there, and would probably saddle him with
complicity, at least if he were not careful. He was terrified at the
rapidity with which he had been involved in such dangers—decoyed into it.
It was some twenty minutes since he had met her—not more.
The voice of Mrs Verloc rose subdued, pleading piteously: “Don’t let them
hang me, Tom! Take me out of the country. I’ll work for you. I’ll
slave for you. I’ll love you. I’ve no one in the world. . . . Who
would look at me if you don’t!” She ceased for a moment; then in the
depths of the loneliness made round her by an insignificant thread of
blood trickling off the handle of a knife, she found a dreadful
inspiration to her—who had been the respectable girl of the Belgravian
mansion, the loyal, respectable wife of Mr Verloc. “I won’t ask you to
marry me,” she breathed out in shame-faced accents.
She moved a step forward in the darkness. He was terrified at her. He
would not have been surprised if she had suddenly produced another knife
destined for his breast. He certainly would have made no resistance. He
had really not enough fortitude in him just then to tell her to keep
back. But he inquired in a cavernous, strange tone: “Was he asleep?”
“No,” she cried, and went on rapidly. “He wasn’t. Not he. He had been
telling me that nothing could touch him. After taking the boy away from
under my very eyes to kill him—the loving, innocent, harmless lad. My
own, I tell you. He was lying on the couch quite easy—after killing the
boy—my boy. I would have gone on the streets to get out of his sight.
And he says to me like this: ‘Come here,’ after telling me I had helped
to kill the boy. You hear, Tom? He says like this: ‘Come here,’ after
taking my very heart out of me along with the boy to smash in the dirt.”
Public-domain text, read in full here on John Shaqi.
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