British -- Russia -- Fiction; Historical fiction; Soviet Union -- History -- Revolution, 1917-1921 -- Fiction
Then he went up to her. She let herself at once go to him and he half
carried her to a chair near the table and exactly opposite Markovitch's
window.
They kissed "like people who had been starving all their lives."
Markovitch was trembling so that he was afraid lest he should tumble or
make some noise. The two figures in the chair were like statues in their
immobile, relentless, unswerving embrace.
Suddenly he saw that Nina was standing in the opposite doorway "like a
ghost." She was there for so brief a moment that he could not be sure
that she had been there at all. Only her white, frightened face remained
with him.
One of his thoughts was:
"This is the end of my life."
Another was:
"How could they be so careless, with the light on, and perhaps people in
the flat!"
And after that:
"They need it so much that they don't care who sees--Starved people...."
And after that:
"I'm starved too."
He was so cold that his teeth were chattering, and he crept back from
his window, crept into the farthest farthest corner of his little room,
and crouched there on the floor, staring and staring, but seeing nothing
at all.
PART III
MARKOVITCH AND SEMYONOV
MARKOVITCH AND SEMYONOV.
I
On the evening of that very afternoon, Thursday, I again collapsed. I
was coming home in the dusk through a whispering world. All over the
streets, everywhere on the broad shining snow, under a blaze of stars so
sharp and piercing that the sky seemed strangely close and intimate, the
talk went on. Groups everywhere and groups irrespective of all class
distinction--a well-to-do woman in rich furs, a peasant woman with a
shawl over her head, a wild, bearded soldier, a stout, important
officer, a maid-servant, a cab-driver, a shopman--talking, talking,
talking, talking.... The eagerness, the ignorance, the odd fairy-tale
world spun about those groups, so that the coloured domes of the
churches, the silver network of the stars, the wooden booths, the mist
of candles before the Ikons, the rough painted pictures on the shops
advertising the goods sold within--all these things shared in that crude
idealistic, cynical ignorance, in that fairy-tale of brutality,
goodness, cowardice, and bravery, malice and generosity, superstition
and devotion that was so shortly to be offered to a materialistic,
hard-fighting, brave and unthinking Europe!...
Public-domain text, read in full here on John Shaqi.
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