British -- Russia -- Fiction; Historical fiction; Soviet Union -- History -- Revolution, 1917-1921 -- Fiction
It was strange how deeply I cared. Here was I who, only a short while
before, had declared myself done with the world for ever, and now I was
almost crying because no one had been to see me! Indeed, I believe in my
weakness and distress I actually did cry. No one at all? Not Vera nor
Nina nor Jeremy nor Bohun? Not young Bohun even...? And then slowly my
brain realised that there was now a new world. None of the old
conditions held any longer.
We had been the victims of an earthquake. Now it was--every man for
himself! Quickly then there came upon me an eager desire to know what
had happened in the Markovitch family. What of Jerry and Vera? What of
Nicholas? What of Semyonov...?
"Rat," I said, "this afternoon I am going out!"
"Very well, Barin," he said, "I, too, have an engagement."
In the afternoon I crept out like an old sick man. I felt strangely shy
and nervous. When I reached the corner of Ekateringofsky Canal and the
English Prospect I decided not to go in and see the Markovitches. For
one thing I shrank from the thought of their compassion. I had not
shaved for many days. I was that dull sickly yellow colour that offends
the taste of all healthy vigorous people. I did not want their pity.
No.... I would wait until I was stronger.
My interest in life was reviving with every step that I took. I don't
know what I had expected the outside world to be. This was April 14. It
was nearly a month since the outburst of the Revolution, and surely
there should be signs in the streets of the results of such a cataclysm.
There were, on the surface, no signs. There was the same little cinema
on the canal with its gaudy coloured posters, there was the old woman
sitting at the foot of the little bridge with her basket of apples and
bootlaces, there was the same wooden hut with the sweets and the fruit,
the same figures of peasant women, soldiers, boys hurrying across the
bridge, the same slow, sleepy Isvostchick stumbling along carelessly.
One sign there was. Exactly opposite the little cinema, on the other
side of the canal, was a high grey block of flats. This now was starred
and sprayed with the white marks of bullets. It was like a man marked
for life with smallpox. That building alone was witness to me that I had
not dreamt the events of that week.
The thaw made walking very difficult. The water poured down the sides of
the houses and gurgled in floods through the pipes. The snow was
slippery under the film of gleaming wet, and there were huge pools at
every step. Across the middle of the English Prospect, near the Baths,
there was quite a deep lake....
Public-domain text, read in full here on John Shaqi.
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