British -- Russia -- Fiction; Historical fiction; Soviet Union -- History -- Revolution, 1917-1921 -- Fiction
Such a development could only mean tragedy, and I knew it. I had even
sworn to Semyonov that I would prevent it. I looked at them and felt my
helpless weakness. Who was I to prevent anything? And who was there now,
in the whole world, who would be guided by my opinion? They might have
me as a confidant because they trusted me, but after that... no, I had
no illusions. I was pushed off the edge of the world, hanging on still
with one quivering hand--soon my grip would loosen--and, God help me, I
did not want to go.
Nina turned back to me and, with a little excited clap of her hands,
drew my attention to the gallant Madame Gineselli, who, although by no
means a chicken, arrayed in silver tights and a large black picture-hat,
stood on one foot on the back of her white horse and bowed to the
already hysterical gallery. Mr. Gineselli cracked his whip, and the
white horse ambled along and the sawdust flew up into our eyes, and
Madame bent her knees first in and then out, and the bourgeoisie clapped
their hands and the gallery shouted "Brava." Gineselli cracked his whip
and there was the clown "Jackomeno, beloved of his Russian public," as
it was put on the programme; and indeed so he seemed to be, for he was
greeted with roars of applause. There was nothing very especially
Russian about him, however, and when he had taken his coat off and
brushed a place on which to put it and then flung it on the ground and
stamped on it, I felt quite at home with him and ready for anything.
He called up one of the attendants and asked him whether he had ever
played the guitar. I don't know what it was that the attendant answered,
because something else suddenly transfixed my attention--the vision of
Nina's little white-gloved hand resting on Lawrence's broad knee. I saw
at once, as though she had told me, that she had committed herself to a
most desperate venture. I could fancy the resolution that she had
summoned to take the step, the way that now her heart would be furiously
beating, and the excited chatter with which she would try to cover up
her action. Vera and Bohun could not, from where they were sitting, see
what she had done; Lawrence did not move, his back was set like a rock;
he stared steadfastly at the arena. Nina never ceased talking, her
ribbons fluttering and her other hand gesticulating.
I could not take my eyes from that little white hand. I should have
been, I suppose, ashamed of her, indignant for her, but I could only
feel that she was, poor child, in for the most desperate rebuff. I could
see from where I sat her cheek, hot and crimson, and her shrill voice
never stopped.
The interval arrived, to my intense relief, and we all went out into the
dark passage that smelt of sawdust and horses. Almost at once Nina
detached me from the others and walked off with me towards the lighted
hall.
"You saw," she said.
"Saw what?" I asked.
"Saw what I was doing."
Public-domain text, read in full here on John Shaqi.
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