British -- Russia -- Fiction; Historical fiction; Soviet Union -- History -- Revolution, 1917-1921 -- Fiction
Every one laughed, and Grogoff flushed. "Oh, it's easy to sneer!" he
said. "Just because there've been miserable cowards in Russian history,
you think it will always be so. I tell you it is not so. The time is
coming when tyranny will topple from its throne, and we'll show Europe
the way to liberty."
"By which you mean," said Semyonov, "that you'll involve Russia in at
least three more wars in addition to the one she's at present so
magnificently losing."
"I tell you," screamed Grogoff, now so excited that he was standing on
his feet and waving his glass in the air, "that this time you have not
cowards to deal with. This will not be as it was in 1905; I know of what
I'm speaking."
Semyonov leant over the table and whispered something in Markovitch's
ear. I had seen that Markovitch had already been longing to speak. He
jumped up on to his feet, fiercely excited, his eyes flaming.
"It's nonsense that you are talking, sheer nonsense!" he cried.
"Russia's lost the war, and all we who believed in her have our hearts
broken. Russia won't be mended by a few vapouring idiots who talk and
talk without taking action."
"What do you call me?" screamed Grogoff.
"I mention no names," said Markovitch, his little eyes dancing with
anger. "Take it or no as you please. But I say that we have had enough
of all this vapouring talk, all this pretence of courage. Let us admit
that freedom has failed in Russia, that she must now submit herself to
the yoke."
"Coward! Coward!" screamed Grogoff.
"It's you who are the coward!" cried Markovitch.
"Call me that and I'll show you!"
"I do call you it!"
There was an instant's pause, during which we all of us had, I suppose,
some idea of trying to intervene.
But it was too late. Grogoff raised his hand and, with all his force,
flung his glass at Markovitch. Markovitch ducked his head, and the glass
smashed with a shattering tinkle on the wall behind him.
We all cried out, but the only thing of which I was conscious was that
Lawrence had sprung from his seat, had crossed to where Vera was
standing, and had put his hand on her arm. She glanced up at him. That
look which they exchanged, a look of revelation, of happiness, of sudden
marvellous security, was so significant that I could have cried out to
them both, "Look out! Look out!"
But if I had cried they would not have heard me.
My next instinct was to turn to Markovitch. He was frowning, coughing a
little, and feeling the top of his collar. His face was turned towards
Grogoff and he was speaking--could catch some words: "No right... in my
own house... Boris... I apologise... please don't think of it." But
his eyes were not looking at Boris at all; they were turned towards
Vera, staring at her, begging her, beseeching her.... What had he seen?
How much had he understood? And Nina? And Semyonov?
But at once, in a way most truly Russian, the atmosphere had changed. It
was Nina who controlled the situation. "Boris," she cried, "come here!"
Public-domain text, read in full here on John Shaqi.
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