(_b_) “The Radiant Essence curdles and spreads throughout the Depths” of Space. From an astronomical point of view this is easy of explanation: it is the Milky Way, the World‐Stuff, or Primordial Matter in its first form. It is more difficult, however, to explain it in a few words, or even lines, from the standpoint of Occult Science and Symbolism, as it is the most complicated of glyphs. Herein are enshrined more than a dozen symbols. To begin with, it contains the whole pantheon of mysterious objects,(102) every one of them having some definite Occult meaning, extracted from the Hindû allegorical “Churning of the Ocean” by the Gods. Besides Amrita, the water of life or immortality, Surabhi, the “cow of plenty,” called “the fountain of milk and curds,” was extracted from this “sea of milk.” Hence the universal adoration of the cow and bull, one the productive, the other the generative power in Nature: symbols connected with both the solar and the cosmic deities. The specific properties, for Occult purposes, of the “fourteen precious things,” being explained only at the Fourth Initiation, cannot be given here; but the following may be remarked. In the _Shatapatha Brâhmana_ it is stated that the Churning of the Ocean of Milk took place in the Satya Yuga, the first Age which immediately followed the “Deluge.” As, however, neither the _Rig Veda_ nor _Manu_—both preceding Vaivasvata’s “Deluge,” that of the bulk of the Fourth Race—mention this Deluge, it is evident that it is neither the Great Deluge, nor that which carried away Atlantis, nor even the Deluge of Noah, which is here meant. This “Churning” relates to a period before the earth’s formation, and is in direct connection with another universal legend, the various and contradictory versions of which culminated in the Christian dogma of the “War in Heaven,” and the “Fall of the Angels.” The _Brâhmanas_, reproached by the Orientalists with their versions on the same subjects often clashing with each other, _are preëminently occult works_, hence used purposely as blinds. They are allowed to survive for public use and property only because they were and are absolutely unintelligible to the masses. Otherwise they would have disappeared from circulation as long ago as the days of Akbar. 5. THE ROOT REMAINS, THE LIGHT REMAINS, THE CURDS REMAIN, AND STILL OEAOHOO IS ONE. “Oeaohoo” is rendered “Father‐Mother of the Gods” in the Commentaries, or the “Six in One,” or _the Septenary Root from which all proceeds_. All depends upon the accent given to these seven vowels, which may be pronounced as one, three, or even seven syllables, by adding an _e_ after the final _o_. This mystic name is given out, because without a thorough mastery of the triple pronunciation it remains for ever ineffectual.