The Secret Doctrine, Vol. 2 of 4: The Synthesis of Science, Religion, and PhilosophyBlavatsky, H. P. (Helena Petrovna)
Religion
The Secret Doctrine, Vol. 2 of 4: The Synthesis of Science, Religion, and Philosophy
Blavatsky, H. P. (Helena Petrovna)
Theosophy
And now to the main question. It is well known that Antiquity has never
claimed Palæontography and Palæontology among its arts and sciences; and
it never had its Cuviers. Yet on Babylonian tiles, and especially in old
Chinese and Japanese drawings, in the oldest Pagodas and monuments, and in
the Imperial Library at Pekin, many a traveller has seen and recognized
perfect representations of Plesiosauri and Pterodactyls in the multiform
Chinese dragons.(465) Moreover, the prophets speak in the _Bible_ of the
flying fiery serpents,(466) and Job mentions the Leviathan.(467) Now the
following questions are put very directly:
I. How could the ancient nations know anything of the extinct monsters of
the Carboniferous and Mesozoic times, and even represent and describe them
orally and pictorially, unless they had either _seen those monsters
themselves_ or _possessed descriptions of them in their traditions_; which
descriptions necessitate _living and intelligent eye‐witnesses_?
II. And if such eye‐witnesses are once admitted (unless retrospective
clairvoyance is granted), how can humanity and the first palæolithic men
be no earlier than about the middle of the Tertiary period? We must bear
in mind that most of the men of Science do not allow man to have appeared
before the Quaternary period, and thus shut him out completely from the
Cainozoic times. Here we have extinct species of animals, which
disappeared from the face of the Earth millions of years ago, described
by, and known to, nations whose civilization, it is said, could hardly
have begun a few thousand years ago. How is this? Evidently either the
Mesozoic time has to be made to overlap the Quaternary period, or man must
be made the contemporary of the Pterodactyl and the Plesiosaurus.
Public-domain text, read in full here on John Shaqi.
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