Detective and mystery stories; New England -- Fiction
Despite his pain the sheriff grinned. “I guess that’s as good as the
next lie,” he acquiesced. “You fight fair, Professor.”
“Then answer me a fair question. What were you doing at Hedgerow House
to-night?”
“Why, you see,” drawled the official, “I saw you fishin’ that stream,
and it come to my mind that you was castin’ around for more than trout
that wasn’t there. But I didn’t hardly think you’d come so soon, and I
was asleep when the noise of the spade on the coffin woke me.”
“Bad work and clumsy,” commented Kent with a scowl. “Come along. My car
will carry three. Sedgwick can sit on the floor. Good night, Mr. Blair.
All aboard, Frank.”
There was no answer.
“What became of Sedgwick?” demanded Kent.
“He was here half a minute ago; I’ll swear to that,” muttered the
sheriff.
Kent stared anxiously about him. “Frank! Frank!” he called half under
his breath.
“Not too loud,” besought Alexander Blair.
The clouds closed over the moon. Somewhere in the open a twig crackled.
Sedgwick had disappeared.
CHAPTER XVI—THE MEETING
Hope had surged up, sudden and fierce, in Sedgwick’s heart, at the gleam
of the candle in Hedgerow House. He was ready for any venture after the
swift climax of the night, and his hope hardened into determination.
Faithfully he had taken Kent’s orders. But now the enterprise was
concluded, to what final purpose he could not guess. He was his own man
again, and, perhaps, behind that gleam from the somber house, waited the
woman—his own woman. Silently he laid his revolver beside his spade, and
slipped into the shadows.
He heard Kent’s impatient query. He saw him as he picked up the
relinquished weapon and examined it: and, estimating the temper of his
friend, was sure that the scientist would not stop to search for him. In
this he was right. Taking the sheriff by the arm, Kent guided him
through the creek and into the darkness beyond. Mr. Blair, walking with
heavy steps and fallen head, made his way back to the house. Sedgwick
heard the door close behind him. A light shone for a time in the second
story. It disappeared. With infinite caution, Sedgwick made the détour,
gained the rear of the house, and skirting the north wing, stepped forth
in the bright moonlight, the prescience of passion throbbing wildly in
his breast.
She sat at the window, head high to him, bowered in roses. Her face was
turned slightly away. Her long fine hands lay, inert, on the sill. Her
face, purity itself in the pure moonlight, seemed dimmed with weariness
and strain, a flower glowing through a mist.
With a shock of remembrance that was almost grotesque, Sedgwick realized
that he had no name by which to call her. So he called her by the name
that is Love’s own.
She did not change her posture. But her lips parted. Her lids drooped
and quivered. She was as one in a lovely dream.
He stepped toward her and spoke again.
“You!” she cried; and her voice breaking from a whisper into a thrill of
pure music: “_You!_”
Public-domain text, read in full here on John Shaqi.
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