French -- Germany -- Fiction; French fiction -- Translations into English; Mystery fiction; Nobility -- Germany -- Fiction
All at once I could hear my heart beat. A black vertical line appeared
in the centre of the plaque. That line got wider and wider. The two
panels thus formed slid back to each side, leaving a gap some two feet
six inches wide.
I was on the right track. The mystery of the _Herrenhausen_ was to be
solved at last!
I had recovered control of myself, perfect control. I remember saying:
"What a delightful way of studying history! I wonder what Monsieur
Seignobos would think of it?"
I passed through the opening, taking with me the stool which had been my
table. On the inside the fire-back had two handles, one on each side.
Very gently, but quite easily, I drew the panels together again, not
absolutely touching, however, for fear of releasing some fatal spring.
Do you remember the 24th August, my friend, in the village of Beaumont,
in Belgium, when you and I went down into a cellar where the inhabitants
said five Uhlans were hiding? You called me a rash fool and came behind,
but I couldn't help smiling at the thought that those five fugitives
were nothing compared with the darkness in which I was wrapped that
night.
When I had pulled the two panels to behind me I found myself in a little
chamber, six feet wide, and six feet high. On each side of me were blank
walls, but at the back was another bronze plaque with, as I expected,
two more knobs to right and left.
I put the hand of the first dial on the figure 18. The pointer of the
second had just reached 15 when the noise of tearing wood, absolutely
terrifying in that dead silence, froze me from head to foot. The lower
half of the immense plaque, opening horizontally about three feet from
the ground, had swung forward and smashed to matchwood the heavy stool
I had placed against it as I came in.
If I hadn't jumped back so smartly my feet would infallibly have been
crushed.
"Excellent!" I murmured. "So their secrets are man-traps, too!"
I bent down and got into the second chamber, which was of exactly the
same dimensions as the first. You can imagine that this time I took all
precautions, standing carefully to the left as I put the pointer of the
fifth dial on 21 and to the right as I turned that of the sixth to 4. I
might have saved myself the trouble. The plaque parted in two
vertically, like the first one, and the panels rolled aside on invisible
hinges.
Then I passed into the third and last chamber.
It was of the same height, but twice as long and wide. The small arc of
my electric torch gave a good light, but covered but a small area.
At first I could only see what looked like white splashes on the floor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account