The Secrets of a Kuttite: An Authentic Story of Kut, Adventures in Captivity and Stamboul IntrigueMousley, Edward O. (Edward Opotiki)
History
The Secrets of a Kuttite: An Authentic Story of Kut, Adventures in Captivity and Stamboul Intrigue
Mousley, Edward O. (Edward Opotiki)
Al Kut (Iraq) -- History -- Siege, 1915-1916; World War, 1914-1918 -- Prisoners and prisons, Turkish
The people, we hear, couldn't understand at first how war
veterans could worry about children. But you require to
be a prisoner of war with no privilege of speaking to any one,
adult or child, to understand the meaning of children. The
after result was that for days and days a huge swarm of
youngsters followed us everywhere we went yelling "Backsheesh"
and "Ekmek" (bread) and "Chocolate."
Shortly after Christmas an Armenian turned up with a
violin of sorts. I had been on the look-out for one for months.
He wanted a fictitious price, and it wasn't a good one but fairly
loud. The strings were on the wrong pegs, and such strings
surely never existed before on any violin. The bow wanted
some hair restorer badly. I tuned it up and powdered the
few remaining hairs well on a lump of gummy resin, probably
off a pine-tree, and then, by the smoking stove of a Turkish
fire, I began to play--the first time for years and years. The
room was empty but every one came up from below to see
what on earth had happened. I found I had forgotten everything.
After a half-hour bits of Beethoven, Raff, Dvorak
and Vieuxtemps came back to me, but they wanted waltzes
and marches. The end of it was they persuaded me to buy
the thing. I practised assiduously for two or three hours a
day for weeks and then the bow began to collapse and the
strings gave out.
It was now dreadfully cold in one's room, but we managed
to have some cheery evenings. Banjos made of hide stretched
over tins purchased at the bazaar did quite well for an
accompaniment. One of our number, Lieutenant Munro,
has shown a deal of skill in cabinet making, and has turned
out a 'cello which is the queerest thing in the whole world,
looking rather like a dough roll squeezed considerably in the
middle by a small boy until its waist threatens to go altogether.
But it makes a noise. My violin is improving wonderfully,
and I have found some bad strings in an Armenian shop.
In other words, my violin has grown to a band composed
of two violins, a 'cello, a cracked flute, a clarionet, and banjos.
The Admiral plays a little, and having unearthed another fiddle
has come in as second violin. Major Davis plays the violin a
little, and we are going to fossick others out. Drums are under
construction, and another 'cello is to follow. Remains the
music. As none has ever been seen in Kastamuni probably
since the town existed, nor can be obtained anywhere or is
allowed through, we have to write our own. This involves
composition. There was luckily a volume of Prout's Harmony
that turned up at Christmas, so one or two with leisure hours
are working at it hard. We have had five practices. I
never could have believed I would endure such an offensive
noise, let alone help to make it! "Dreaming" and
"Destiny" and "The Girl on the Film" were the first things
we attempted. It was a thin stream of trickling melody
followed by the weirdest of side noises!
Public-domain text, read in full here on John Shaqi.
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