The Secrets of the Great City: A Work Descriptive of the Virtues and the Vices, the Mysteries, Miseries and Crimes of New York CityMcCabe, James Dabney
History
The Secrets of the Great City: A Work Descriptive of the Virtues and the Vices, the Mysteries, Miseries and Crimes of New York City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- History
"At a table nearly opposite to our own, are seated a couple, one, at
least, of whom, to even a casual observer, is a stranger to the place
and its surroundings; there is no doubt of it. Wholly enwrapped in the
beauty and grace of his female companion, he is totally oblivious to
all passing around. She is exerting all her arts to entice 'greeny'
into her net, and before long will be counting the amount of his cash--
while he, her dupe, will be, too late, reflecting upon the depravity of
pretty waiter girls. By this time the saloon is crowded with men and
women, of all degrees of social standing. Here is the man about-town,
the hanger-round of the hotels, in clothes of unexceptionable cut and
make, talking earnestly with a female, whose drawn veil conceals her
face--perhaps some unfortunate victim of his lust, or probably his
mistress, come to plead for justice, or for her week's allowance of
money. Yonder is a youth, of, as Sylvanus Cobb, Jr., would say, 'some
eighteen summers,' young in years, but old in sin, who supports on his
knee a _nymph du pave_, with whom he has entered from the street, and
upon whom he is spending his last quarter's salary, or the proceeds of
an investigation into the till of his employer. In that corner, is the
returned soldier, who has just been paid off, and who is now expending
the hard-earned pittance of the government upon some bepainted and
bedizened courtesan, while perhaps his wife and family are suffering
for want of the common necessaries of life. A cry of pain, followed by
a burst of brutal laughter, causes us to turn our eyes to the corner,
just in time to witness a woman fall to the ground, felled by a blow
from the clenched fist of the brute with whom she has been quarrelling.
A moment, there is silence in the hall; but only for a moment. The girl
is picked up by one of her companions--a few rough jokes at her
expense--and all goes on as before. Such scenes are of too frequent
occurrence to provoke comment. Observe that couple descending the
steps; a handsome, almost noble-looking man, but upon whose countenance
is stamped the mark of a dissolute life--upon his arm, a female, her
face hidden from view by a dark veil. They advance to the bar. The
gentleman whispers a word in the ear of one of the girls, a meaning
smile flickers over her face as she hands him a key, with which he
opens a door in the end of the room, and disappears with the female.
Reader, you have seen half a dozen similar couples arrive and vanish
through the same door. Do you know the why and wherefore of this
proceeding? This saloon is one of the most _notorious assignation
houses_ in New York. We might go on and notice more fully the various
personages and scenes, constantly varying, in this house; but we have
neither space or time at present--besides, the task is not an agreeable
one. So, let us leave the murky atmosphere of the 'crib,' and once more
breathe the pure air of heaven."
Public-domain text, read in full here on John Shaqi.
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