Harry Hill is generally to be seen moving amongst his guests while the entertainment is going on. He is a short, thickset man, with a resolute, self-possessed air, and is about fifty years old. He is very decided in his manner, and is fully equal to the task of enforcing his orders. The "fancy" stand in awe of him, as they know he will follow up any command with a blow or a summary ejection from his premises. He has been in the business for twelve years, and his profits are estimated at over fifty thousand dollars a year now, clear of all expenses. He is said to be a kind, humane man, and is reputed to give largely to charitable purposes. He manages every department himself, although he has a manager to conduct affairs for him. His eye is on everybody and everything. THE DANCE HALL. It is Harry Hill's boast that he keeps a "respectable house." Unlike the other dance-houses of the city, there are no girls attached to this establishment. All the company, both male and female, consists of outsiders, who merely come here to spend an evening. The rules of the house are printed in rhyme, and are hung conspicuously in various parts of the hall. They are rigid, and prohibit any profane, indecent, or boisterous conduct. The most disreputable characters are to be seen in the audience, but no thieving or violence ever occurs within the hall. Whatever happens after persons leave the hall, the proprietor allows no violation of the law within his doors. The hall, itself, consists simply of a series of rooms, which have been "knocked into one" by the removal of the partition walls. As all of these rooms were not of the same height, the ceiling of the hall presents a curious patchwork appearance. A long counter occupies one end of the hall, at which liquors and refreshments are served. There is a stage at another side, on which low farces are performed, and a tall Punch and Judy box occupies a conspicuous position. Benches and chairs are scattered about, and a raised platform is provided for the "orchestra," which consists of a piano, violin, and a bass viol. The centre of the room is a clear space, and is used for dancing. If you do not dance you must leave, unless you atone for your deficiency by a liberal expenditure of money. The amusements are coarse and low. The songs are broad, and are full of blasphemous outbursts, which are received with shouts of delight. THE DANCERS.