Hamlet, 179. Happiness and aesthetic interest, 63, 65. Health a condition of aesthetic life, 54. Hedonism opposed by the moral sense, 23, 24. History an imaginative thing, 141, 142. Home as a social and as an aesthetic idea, 64. Homer, 171. his aesthetic quality, 205, 206. his epithets, 179. Horace, quoted, 172. Humour, 253 _et seq._ Ideals are modified averages, 121 _et seq._ immanent in human nature, 262. stable, 263 _et seq._ Imagination has a universal creative function, 190, 191. and sense alternately active, 55, 56. Impression distinguished from expression, 84, 85. Impressionism in painting, 134, 136. incongruity not what pleases in the comic, 247 _et seq._ Indeterminate organizational _et seq._ Infinite beauty, the idea impossible, 148 _et seq._ Inspiration, 252, 253. Kalokagathia, 31. Kant, 105. Keats, quoted, 67, 105, 181, 264. King Lear, 229. Kipling, R., quoted, 68. Landscape, 133 _et seq._ with figures, 135, 136. Liberation of self, 233 _et seq._ Love, influence of the passion, 56 _et seq._ Lowell, J. R., quoted, 148. Lower senses, 65 _et seq._ Lucretius, quoted, 172. on the sublime, 236. Maps, 209, 210. Material beauty most easily appreciated, 78 _et seq._ its effect the fundamental one, 78. Materials of beauty surveyed, 76 _et seq._ Methods in aesthetics, 5. Michael Angelo, 182. Miser's fallacy, its parallel in morals and aesthetics, 31, 32. Modern languages inferior to the ancient, 173, 174. Moliere, 174; quoted, 20. Monarchy, its imaginative value, 34, 35. Moral and aesthetic values, 23 _et seq._ the authority of morals over aesthetics, 218 _et seq._ Morality and utility jealous of art, 216, 217. Multiplicity in uniformity, 97 _et seq._ its defects, 106 _et seq._ Musset, Alfred de, quoted, 170, 226. Mysticism in aesthetics, 126 _et seq._ Naturalism, the ground of its value, 21. Nature, its organization the source of apperceptive forms, 152 _et seq._ the love of it among the ancients, 137, 138. New York, the plan of the streets, 95. Nouns, idea of a language without them, 171. Objectification the differentia of aesthetic pleasure, 44 _et seq._ Ornament and form, 63 _et seq._ Othello, 237. Ovid, quoted, 149. Pantheism, its contradictions, 242, 243. Perception, the psychological theory of it, 45 _et seq._ Perfection, illusion of infinite, 146 _et seq._ possibility of finite, 258 _et seq._ Physical pleasure distinguished from aesthetic, 35 _et seq._ Physiology of the perception of form, 85 _et seq._ Picturesqueness contrasted with symmetry, 92. Platonic ideas useless in explaining types, 117, 118. Platonic intuitions, their nature and value, 8 _et seq._ Platonists, 159. Plot, The, 174 _et seq._ Preference ultimately irrational, 18 _et seq._ necessary to value, 17, 18. Principles consecrated aesthetically, 31 _et seq._ Purity, The aesthetic principle of, 70 _et seq._