The Sense of Beauty: Being the Outlines of Aesthetic TheorySantayana, George
Philosophy
The Sense of Beauty: Being the Outlines of Aesthetic Theory
Santayana, George
Aesthetics
Such an accidental stability of structure is, in this moving world, a
sufficient principle of permanence and individuality. The same
mechanical principles, in more complex applications, insure the
persistence of animal forms and prevent any permanent deviation
from them. What is called the principle of self-preservation, and
the final causes and substantial forms of the Aristotelian
philosophy, are descriptions of the result of this operation. The
tendency of everything to maintain and propagate its nature is
simply the inertia of a stable juxtaposition of elements, which are
not enough disturbed by ordinary accidents to lose their
equilibrium; while the incidence of a too great disturbance causes
that disruption we call death, or that variation of type, which, on
account of its incapacity to establish itself permanently, we call
abnormal.
Nature thus organizes herself into recognizable species; and the
aesthetic eye, studying her forms, tends, as we have already shown,
to bring the type within even narrower limits than do the external
exigencies of life.
_The relation of utility to beauty._
Sec. 39. This natural harmony between utility and beauty, when its
origin is not understood, is of course the subject of much perplexed
and perplexing theory. Sometimes we are told that utility is itself
the essence of beauty, that is, that our consciousness of the
practical advantages of certain forms is the ground of our aesthetic
admiration of them. The horse's legs are said to be beautiful
because they are fit to run, the eye because it is made to see, the
house because it is convenient to live in. An amusing application --
which might pass for a _reductio ad absurdum,_ -- of this dense
theory is put by Xenophon into the mouth of Socrates. Comparing
himself with a youth present at the same banquet, who was about
to receive the prize of beauty, Socrates declares himself more
beautiful and more worthy of the crown. For utility makes beauty,
and eyes bulging out from the head like his are the most
advantageous for seeing; nostrils wide and open to the air, like his,
most appropriate for smell; and a mouth large and voluminous, like
his, best fitted for both eating and kissing.[11]
Public-domain text, read in full here on John Shaqi.
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