"Of course you know it when I tell you, dear," the girl returned
smiling, but with her eyes, it struck him, searching him as we have just
noted his having had to search himself. He felt it as more of a watch of
him in spite of his word than anything had yet been, and this he
resented in proportion to his pride in the fine presence of mind he had
so quickly recovered. So that made him positively go further, go in fact
a length which was the longest he had used up to now.
"Ah I know more than you tell me, I know what I've _been_ knowing. Of
course he is in love with Nan," he made out "almost as much in love with
her as I'm with you. Only with the difference," it came to him, "that
his passion isn't returned----!"
"As I return yours is what you mean, dear?"--she took him straight up.
And then when he had quickly pronounced this exactly what he meant, with
a glance too at the fact that so much was evident, he had still to meet
her asking how he could be so sure when they had been having it from
him, and to the extent of his fairly complaining, that no information
about her sister had ever reached him. The effect--he at once took this
in--was of his being fairly cross-questioned, so that he should somehow
be put to the proof of what he might say with the very entrance of the
gentleman who would have already alighted below and perhaps be now on
the stair. She really pushed it quite home. "You complained, you know,
my dear, that we had left you in such ignorance."
"Ignorance of Nan, yes--only not ignorance of Sir Cantopher, at least as
a ground of complaint. But I don't mind a bit, you see, what I didn't
know before: that's all made up to me," he found himself pleading, "and
I _want_ so, don't you understand? to be with you in everything."
It was not unapparent to him meanwhile either that Mrs. Midmore, during
this exchange, was momentarily mystified at her daughter's share in it,
or that Perry, quite detached apparently from any question of a step
toward their visitor, had witnessed for _his_ attention by turning again
to the window. But it was to himself directly that his hostess addressed
a more confessedly puzzled expression than had yet comported for her
with her dignity. "My child must sometimes seem to give you the
absurdest notice of a temper!" And then after an instant to the girl:
"Don't, you gipsy, make yourself out _more_ of a romp than nature has
done." With which she appeared really, as the surer way, to appeal again
to Ralph, who noted at the same time, however, that she might, by the
betrayal of her eye, have caught some sense of her daughter's reason.
"When everything's so right," she asked, "how can anything be
wrong?"--and she had put no other question with so near an approach to a
quaver.
Public-domain text, read in full here on John Shaqi.
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