[1] The Ambassador _does_ of course think him a curious and interesting
case of dementia, feels a kind of superior responsibility about him
accordingly, is really in a manner "fascinated" and mystified too; and
in short quite naturally and inevitably stretches a point to see him, as
it were, safely home. This he has it on his mind and his nerves, on his
sense of responsibility, effectively to do. But, as naturally, he
mustn't acknowledge his conviction, even though Ralph invites him to;
and I get I think what I want by making him come down to the street in
the cab as from curiosity to test his visitor's extraordinary statement,
and then plausibly propose or insist on getting in with him and tracking
him, as it were, to his lair: so as to be able to have first-hand
evidence of his material situation in the event of whatever further
occupation. It's in the street and at the cab door that he makes the
point of "seeing home", as if then and there merely extemporised; and
with the advantage that I thus seem to get what I remember originally
groping for, _having_ groped for, when I broke this off just here so
many years ago. I gave up taking time to excogitate my missing link, my
jump or transition from this last appearance of my young man's in the
modern world, so to speak, and his coming up again, where we next find
him, after the dive, in the "old". I think I now have quite sufficiently
got that transition--I have it perfectly before me. It passes between
them; Ralph himself, on their way, in the cab, or probably better still,
outside, on the pavement in Mansfield Square and before the house,
expresses all I want; puts it, that is, to his benevolent friend, that
he _knows_ now perfectly that on opening the door of the house with his
latchkey he lets himself into the Past. He disappears into the Past, and
what he has wanted is that his companion shall know he is there; shall
be able to give that account of him if he is missed or wanted; shall
also perhaps be able to take in all, whatever it is to be, that may yet
happen, and believe in his experience if he ever rises to the surface
again with it. This of course but clinches the Ambassador's sense of the
refined beauty of his mania; though at the same time the very law of my
procedure here is to show what is passing in his excellency's mind only
through Ralph's detection and interpretation, Ralph's own expression of
it--so leaving my own exhibition of it to stand over for my final
chapter, my supreme dénoûment, when Aurora What's-her-name, under a
tremendous "psychic" anxiety and distress of her own, which has been
growing and growing within her commensurately with Ralph's own
culmination of distress and anguish in _his_ drama, which we so
centrally and interestingly assist at, comes out to London for relief
and throws herself upon the Ambassador with the strange story of her
condition, matching and balancing so remarkably poor Ralph's own story
of the number of months before.
Public-domain text, read in full here on John Shaqi.
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