The clear, cold question jarred him. Ann saw things with a more candid
eye than his. She would know what confinement in the camp meant. She
would not blind herself to the impossibility of escape. She would be
relieved to know that he was safe, glad, even happy--but she would know
that his assumption of a Freeman's role erected a wall far more solid
and impregnable than any previous barrier of social status.
Shadowy images flickered on the great thought-screen above the stage.
Lurid shapes of desire, created by the minds of Freemen who had
exhausted every normal area of pleasure, writhed and twisted on the
screen like fugitives from the deepest caverns of the imagination.
Dreading what was coming, loathing it because Ann had been involved in
that same monstrous pantomime, Hendley turned away from the screen. And
in that moment, when his attention shifted, he felt again the pressure
of eyes on the back of his neck.
He looked around. Three rows back, sitting almost directly behind
Hendley, the visitor quietly watched the performance on stage. He was
smiling thinly.
It could have been coincidence. Hendley had come to the Rec Hall
directly from the park. The show had already started, and the only
remaining seats were in the balcony. The visitor must have arrived
shortly after him, and it was natural that he should have found a seat
nearby. But Hendley knew that the big man's presence was no accident.
His seat had been deliberately chosen.
Why? What did he hope to accomplish? In the crowded Rec Hall Hendley
was safe from attack--and in any event why should the man pursue him?
Was it because of that ridiculous-sounding message Hendley had failed
to recognize?
The visitor's gaze started to swivel toward him. Hendley swung quickly
back toward the screen. The pressure was repeated at the back of his
head. BAM, he thought. What could the word mean?
The show went on. The erotic audience impression of it danced above the
stage on the giant screen. And at last the lottery began. Through it
all Hendley sat and watched, torturing himself with fears about Ann's
absence and what it meant. And whenever his self-absorption wavered,
he would become conscious of the patient watch of the visitor sitting
behind him.
The last number was called, the last nude figure stood submissively in
the spotlight of stage center. The light-curtain fell, obscuring the
stage. There was a rush of movement toward the exits. Hendley started
up the aisle, turned quickly and pushed his way through the crowd
toward another escalator. The visitor was unfamiliar with the camp. If
Hendley could reach the sidewalk strip ahead of him without being seen,
he could easily elude pursuit.
Public-domain text, read in full here on John Shaqi.
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