He was gone. The stairway wound slowly past different exhibits of
paintings and sculpture. Knots of Freemen clustered before each work,
talking and arguing and laughing. Curiosity forced Hendley off the
stairway at the first level below the lobby. He edged his way into
a crowded room whose walls and ceiling were covered with paintings.
Their effect, even at first glance, was vaguely alarming. It took him
a while to make a full circuit of the room. By the time he reached
the last painting, a bewildering exercise in spatial relationships in
which ribbons of color entwined like mangled intestines, he was badly
shaken. The art was strikingly personal, each portrait a private image.
The paintings seemed without form or coherent meaning. They ranged
from wildly vivid explosions of light and color to somber experiments
in deliberate dullness. They lacked any common viewpoint. But in spite
of their singularity, they had a sameness. What they shared, what
gave the exhibition a cumulative impact, was the creation in paint and
plastic and metal of a world disturbed, threatened, and threatening, a
world of unimaginable chaos, devoid of tranquillity or joy, a sensual
world which denied the evidence of the senses, an emotional world
terrorized by its feelings.
Hendley wanted to escape. He plunged through the babble and confusion,
fighting his way back to the central escalator, where he leaned over
the railing into the open center well like a man gasping for air. He
was still carrying his glass, forgotten after the first sip in his
absorption with the Freeman art, but in the crush of the crowd half the
drink had been spilled. He raised the glass.
A girl pressed close to him. Her face was daubed with streaks of bright
paint. "Isn't this frantic?" she breathed.
Hendley nodded. "It's that," he agreed dryly.
The girl smiled. The pupils of her eyes were shrunk to small black
pinpoints in a blue field. "You're cute," she said. With a deft
movement she speared his glass. Tilting her head back, she drank
deeply. Her throat worked as she drained the glass. Then she held it
out very carefully beyond the railing of the stairway and dropped
it down the center well. The polished glass winked with light as it
tumbled through the air. The sound of its shattering was lost in the
general noise below.
"I hate empty glasses," the girl said, laughing.
Public-domain text, read in full here on John Shaqi.
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