Applause greeted the end of the play. It was loud and warm, but Hendley
had the feeling the audience's enthusiasm was as much for what it knew
was coming as for the performance it had just seen. A steady buzz of
excited comment continued long after the freedom players had exited,
leaving only the original chorus of showgirls on the stage.
"What now?" Hendley asked.
"You'll see," Nik said with a grin. And he added, shoving a glass
toward Hendley, "Here's that refill."
The murmur from the audience grew louder. A computer band, simulating
the sounds of old-fashioned man-played instruments, raised a triumphant
peal. Abruptly a single spotlight speared the center of the stage.
A section of the floor slowly folded back, and into the spotlight
rose a naked woman, aggressively feminine, her legs spread wide, her
magnificent bosom high, her head thrown back to let long hair stream
down over her shoulders. The light turned swiftly to blue, and the
spontaneous audience applause turned into a roar.
Above the noise Nik cried, "Remarkable woman! I won her once!
Tremendous!"
Startled, Hendley stared at him. "You _won_ her?"
Nik waited until the crowd's uproar had begun to subside. "In the
drawing," he said then. "That's what those little white tags they
wear are for. There's a filter over the tags, by the way--that's what
screens out the colored rays. You have that ticket you got when we came
into the theater? Well, there'll be a drawing. Winning tickets are
matched to the girls. All of them. Red ones go first, then the green,
the blue last." He grinned reminiscently. "That's really the part of
the show that's special. Oh, the dancing and the rest are all right,
and the thought-screen is interesting--that'll be starting up soon--but
wait till the drawing!"
Hendley felt sick. His stomach stirred uneasily. He swallowed hard.
A sad, enigmatic statement kept running through his head: "That's
what I'm supposed to be." Beautiful, he thought. Selected because she
was beautiful. Trained to please with her beauty. Trained, too, to
simulate passion.
No, it was impossible! What he feared couldn't be true! He had drunk
too much, and his mind was as unsettled as his body. The resemblance
was superficial, deceptive, a trick of lighting.
But the sick fear could not be reasoned away.
A group dance number began. The woman painted in blue light was taller
than the others, more blatantly sexual, dominant. Now she raised one
arm, holding up a slender metal rod. Her wrist flicked. A string of
white light danced across the stage like the lash of a whip. Where it
snapped off a red dancer cringed, cowering, pantomiming fear. Or was
she acting? Was the whiplash real?
Public-domain text, read in full here on John Shaqi.
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