The Garhwalis' _début_ in Mesopotamia was worthy of their inspiring
record in France. It was at Ramadie. They made the night march on
September 27th, 1916, marched and fought all the 28th, and on the
morning of the 29th carried the Aziziyah and Sheikh Faraja Ridges at the
point of the bayonet, in an advance of 1500 yards under frontal and
enfilade fire. The Sheik Faraja ridge was their objective. But this was
not enough. The bridge of the Aziziyah Canal lay beyond, a point of
vantage, for over it all guns or wheeled transport that escaped from
Ramadie would have to pass. Feeling that they had rattled the Turk, that
his tail was down, and that it was a moment when initiative might turn
the scale, they pushed on another thousand yards over open ground, "as
bald as a coot," crossed a deep nullah, seized the bridge, scuppered the
teams of three Turkish guns, captured them, and accepted the surrender
of a Turkish General and two thousand men.
[Illustration: THE GARHWALI.]
Of course there was a lot of luck in it, but it was the luck that
gallantry deserves and wins for itself and turns to account. The Turk
was cornered and hemmed in with the cavalry astride the Aleppo road to
the west, the Euphrates at his back and no bridge, and our infantry
pressing in on the south and the east. But it was a wide front and our
line was thin; by the time that they had reached the Canal the three
assaulting companies were a bare hundred strong, and if the Turk had had
the heart of the Garhwalis he would have rolled them up.
Standing by the captured guns, with the stalwart Turks coming in
submissively all round, as if the surrender of the Anatolian to the
Garhwali were a law of nature and a preordained thing, a subadar of the
regiment turned modestly to his lieutenant and said, "Now it is all
right, Sahib. I had my fears about the young men. They knew so little
and were untried. Now we may be assured. They will stand."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account