When his neighbour is hit by his side, the Drabi buries himself more
deeply into his wrappings. He does not want to pick up a rifle and kill
somebody for shooting his "pale" as a Tommy would, but says, "My brother
is dead. I too shall soon die." And he simply goes on prepared for the
end, neither depressed at its imminence, nor unduly exalted if it be
postponed. He is a worthy associate of those wonderful carts and mules.
In the evening I passed the abattoir again and looked over the gate.
Inside there was a batch of camp followers who had come in from fatigue
duty. I saw the men huddling over their fires in groups in that humped
attitude of contented discomfort which only the Indian can assume. Their
families in the far villages of the Punjab and the United Provinces
would be squatting by their braziers in just the same way at this hour.
Perhaps the Drabi would be thinking of them--if thought stirred within
his brain--and of the golden slant light of the sun on the shisham and
the orange siris pods and the pungent incense that rises in the evening
from the dried cow-dung fire, a product, alas! which France with all its
resources, so rich, varied, and inexhaustible, cannot provide.
THE SANTAL LABOUR CORPS
The Labour Corps in Mesopotamia introduced the nearest thing to Babel
since the original confusion of tongues. Coolies and artisans came in
from China and Egypt, and from the East and West Indies, the aboriginal
Santals and Paharias from Bengal, Moplahs, Thyas and Nayars from the
West Coast, Nepalese quarrymen, Indians of all races and creeds, as well
as the Arabs and Chaldeans of the country. They made roads and bunds,
built houses, loaded and unloaded steamers and trucks, supplied
carpenters, smiths and masons, followed the fighting man and improved
the communications behind him, and made the land habitable which he had
won.
One day I ran into a crowd of Santals on the Bridge of Boats in Baghdad.
It was probably the first time that Babylon had drawn into its vortex
the aboriginals of the hill tracts of Bengal. They were scurrying like a
flock of sheep, not because they were rushed, I was told, but simply for
fun. Some one had started it, and the others had broken into a jog-trot.
One of them, with bricks balanced on his head, was playing a small reed
flute--the Pipe of Pan. Another had stuck a spray of salmon-pink
oleander in his hair. The full, round cheeks of the little men made
their black skin look as if it had been sewn up tightly and tucked under
the chin. They were like happy, black, gollywogs, and the dust in their
elfin locks, the colour of tow, increased the impish suggestion of the
toy-shop. The expression on their faces is singularly happy and
innocent, and endorses everything Rousseau said about primitive content.
Evolution has spared them; they have even escaped the unkindness of war.
Public-domain text, read in full here on John Shaqi.
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