The Serapion Brethren, Vol. I.Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Serapion Brethren, Vol. I.
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
"He looked so learned and so profoundly thoughtful as he said this,
that Traugott really felt a sort of veneration for him.
"'You'll admit,' said the nephew, when he had taken a pinch of snuff,
and sneezed a couple of times, 'that the function of art is to weave
flowers into life. Amusement--recreation after the serious business of
life--is the delightful end and object of all artistic effort; and this
is attained exactly in proportion as the productions of art are
satisfactory. This goal of art is distinctly perceptible in actual
life, because it is only those who practise art on this principle who
enjoy that comfort and prosperity which flies away for ever from those
who (against the true principles of things) look upon art as the
primary object and highest aim of life. Therefore, my dear sir, don't
you pay any attention to what my uncle said, nor let that lead you
astray from the serious business of life, to an occupation which can no
more stand alone than a helpless infant learning to walk.'
"Here the nephew paused, as if expecting Traugott to reply; but he had
no idea what to say. The nephew's harangue had struck him as being a
farrago of incredible nonsense, and he contented himself with asking
him what he considered 'the serious business of life.' The nephew
looked at him rather puzzled.
"'Well,' he said at last, 'you'll admit that a man must live; and the
embarrassed professional artist can scarcely be said to do that.' He
then went on talking a quantity of nonsense, using fine words and
elaborate expressions; the result of which was, that by 'living' he
meant having plenty of money and no debts; eating and drinking of the
best, and having a nice wife and children, with no grease-spots on
their Sunday-clothes, etc. This seemed to stifle Traugott, and he was
glad when he got quit of this sapient nephew, and was alone in his own
quarters.
Public-domain text, read in full here on John Shaqi.
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