The Serapion Brethren, Vol. I.Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Serapion Brethren, Vol. I.
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
"He explained where he lived, and Traugott got away from his work as
soon as possible the next morning, and hastened to the out-of-the-way
street where the old man was to be found. The lad, dressed in antique
German costume, opened the door, and took him into a spacious room,
where the old man was sitting on a little stool before a large canvas,
all covered with a grey ground-tint.
"'You are come at a fortunate time, sir,' cried the old man, 'for I
have just this moment put the finishing touches to this great picture,
upon which I have been engaged for more than a year, and which has cost
me no small pains! It is the companion picture to another of the same
size, representing "Paradise Lost," which I finished last year, and
which you will see here also. This one, as you see, is "Paradise
Regained," and I should pity you if you were to try to discover any
hidden allegory in it. It is only weaklings and bunglers who paint
allegorical pictures. This picture of mine does not suggest; it _is_!
You observe that all these rich groupings of men, animals, flowers and
jewels form one harmonious whole, whose loud, glorious music is a pure,
heavenly harmony of eternal glorification and ecstasy.'
"Then he began to point out, and give prominence to particular groups.
He drew Traugott's attention to the mysteries of the disposition of the
light and shade; to the lustre and sparkle of the flowers and gems; to
the wonderful forms which, rising out of the bells of lilies, grouped
themselves into bands of beautiful maidens and youths; to the bearded
men who, with youthful vigour in their looks and motions, seemed to be
conversing with curious animals. He spoke louder and louder, more and
more vehemently and incoherently.
"'Let thy diamond crown sparkle, thou mighty sage!' he cried, with
gleaming eyes riveted on the empty canvas. 'Throw off the Isis-veil
which thou hast cast over thy head at the approach of the uninitiate!
Why dost thou wrap that dark mantle so carefully over thy breast? I
must see thy heart! It is the philosopher's stone, which discloses all
secrets. Art thou not _me_? What meanest thou by confronting me with
such audacity? Wilt thou do battle with thy master? Dost thou think
that gleaming ruby there, which is thy heart, can grind my breast to
dust? Come on, then! come forth! come _here_! I am he that made thee,
for I am----'
"Here the old man fell to the ground in a heap, as if struck by a
lightning flash. Traugott raised him up; the lad brought an easy-chair,
in which they placed the old man, who now seemed to be lying in a quiet
sleep.
Public-domain text, read in full here on John Shaqi.
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