The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
Think on all those things, and prove yourself well, whether your spirit
is strong enough to withstand the like; for otherwise your power will
be broken, and when the firm courage to make is gone, the power to do
it is gone along with it."
"Ah, Salvator," said Antonio, "it is scarcely possible that, had I once
devoted myself entirely to painting, I should have to undergo more
despite and contempt than I have had to suffer already, being still a
surgeon. You have found pleasure in my pictures, and you have said,
doubtless from inner conviction, that I have it in me to do better
things than many of our San Luca men. And yet it is just they who turn
up their noses at all that I have, with much industry, achieved, and
say, contemptuously, 'Ho, ho, the surgeon thinks he can paint a
picture!' But, for that very reason my decision is firmly come to, to
get clear of a calling which is more and more hateful to me every day.
It is on you, master, that I pin all my hopes. Your word is worth much.
If you chose to speak for me you could at once dash my envious
persecutors to the dust, and put me in the place which is mine by
right."
"You have great confidence in me," said Salvator; "but now that we have
so thoroughly understood each other as to our art, and now that I have
seen your works, I do not know any one for whom I should take up the
cudgels, and that with all my might, so readily as I should for you."
Salvator once more examined Antonio's pictures, and paused before one
representing a Magdalone at the Saviour's feet, which he specially
commended.
"You have departed," he said, "from the style in which people generally
represent this Magdalene. Your Magdalene is not an earnest woman, but
rather an ingenuous, charming child, and such a wondrous one as nobody
else (except Guido) could have painted. There is a peculiar charm about
the beautiful creature. You have painted her with enthusiasm, and, if I
am not deceived, the original of this Magdalene is in life, and here in
Rome. Confess, Antonio, you are in love."
Antonio cast his eyes down and said, softly and bashfully: "Nothing
escapes those sharp eyes of yours, my dear master. It may be as you
say, but don't blame me. I prize this picture most of all, and I have
kept it concealed from every one's sight, like a holy mystery."
"What!" cried Salvator, "have none of the painters seen this picture?"
"That is so," said Antonio.
"Then," said Salvator, his eyes shining with joy, "be assured, Antonio,
that I will overthrow your envious, puffed-up enemies, and bring you to
merited honour. Entrust your picture to me--send it secretly in the
night to my lodgings, and leave the rest to me. Will you?"
Public-domain text, read in full here on John Shaqi.
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