All Rome rang with the fame of Scacciati's wonderful picture. Scarce anything else was talked of, and this ought to have been enough to show its superiority. When the painters held their next meeting in San Luca to decide as to the reception of sundry applicants for admission, Salvator Rosa made a sudden inquiry whether the painter of the Magdalene at the Saviour's feet would not have been worthy to be admitted. All the members of the Academy, not excepting the excessively critical Cavaliere Josepin, declared, with one voice, that such a great master would have been an ornament to the Academy, and, in the most studied forms of speech, expressed their regret that he was dead (though in their hearts they thanked heaven that he was). Not only this, but in their enthusiasm for art, they decided to elect this marvellous young painter an Academician, notwithstanding that he had been withdrawn from art by a premature death; directing masses to be said for the repose of his soul in the church of San Luca. Wherefore they requested Salvator to acquaint them with the full names of the deceased, as well as the year and place of his birth, &c., &c. On this Salvator rose up and said: "Signori, the honours which you fain would pay to a man in his grave are due to, and had better be bestowed on, a living painter, who is walking to and fro in our midst. Know ye that the Magdalene at the Saviour's feet--the picture which you have such a high opinion of justly, and esteem so highly above anything which living painters have produced--is not the work of a Neapolitan painter no longer in life, as I pretended it was, that your verdict might be unbiassed. This picture, this masterpiece, which all Rome admires at this moment, is by the hand of Antonio Scacciati, the surgeon." The painters glared dumb and motionless at Salvator, like men struck by lightning. Salvator enjoyed their consternation for a short time, and then went on to say: "Well, gentlemen, you would not allow Antonio to come amongst you because he is a surgeon; but I think the Academy of San Luca is in very great need of a surgeon to mend and set the crippled arms and legs of the figures which come from the studios of many of its members. However, I presume you will not longer delay to do what you ought to have done long ago; that is, to admit this admirable painter, Antonio Scacciati, a member of your Academy."