The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
When evening came, Salvator and Antonio each took a guitar, went to
Strada Ripetta, and (by way of annoying old Capuzzi) treated the lovely
Marianna to the most exquisite _serenata_ imaginable. For Salvator
played and sang like a master, and Antonio had a lovely tenor voice,
and was almost an Odoardo Ceccarelli. Signor Pasquale of course came
out on to the balcony, and scolded down at the singers, ordering them
to hold their peace; but the neighbours, whom the beautiful music had
brought to their windows, cried out to him, asking him whether, as he
and his friends were in the habit of howling and screaming like all the
demons in hell, he wouldn't suffer such a thing as a little _good_
music in the street? Let him be off into the house, they said, and stop
his ears, if he didn't want to hear the beautiful singing. Thus Signor
Pasquale was obliged, to his torture, to endure Salvator and Antonio's
singing, all night long--songs which at times consisted of the sweetest
words of love, and at others ridiculed the folly of amorous old men.
They distinctly saw Marianna at the window, and heard Pasquale adjuring
her, in the most honeyed terms, not to expose herself to the night air.
The next evening there passed along the street towards the Porto del
Popolo the strangest group of persons ever seen. They attracted all
eyes, and people asked each other if some strange survival of the
Carnival had preserved two or three mad maskers. Signor Pasquale
Capuzzi, in his many-coloured, well-brushed Spanish suit, a new yellow
feather in his steeple-crowned hat, tightly belted and buckled, all
tenderness and grace, tripping along on shoes too tight for him, as if
treading on eggs, conducted on his arm the lovely Marianna, whose
pretty figure, and still more beautiful face, could not be seen, in
consequence of the extraordinary manner in which she was wimpled and
wrapped up in a cloak and hood. On her other side tripped along Signor
Splendiano Accoramboni in his enormous wig, which covered the whole of
his back, so that, when seen from behind, he looked like some enormous
head moving along on two diminutive legs. Close behind Marianna, almost
clinging on to her, came, in crab-like fashion, the little hideosity of
a Pitichinaccio, in flame-coloured female dress, with his hair
bedecked, in the most repulsive style, with flowers of all the colours
of the rainbow.
Public-domain text, read in full here on John Shaqi.
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