The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
Just then, as Capuzzi was going to step courageously forward, there
suddenly rose before him, as if from the depths of the earth, four
terrible-looking figures of devils, in short cloaks of glittering
red, who glared at him with fearful eyes, and began making a
horrible croaking and squeaking. "Hup! hup!" they cried. "Pasquale
Capuzzi!--idiotic fool!--amorous old donkey! We are comrades of yours;
we are love-devils; and we have come to carry you down to the hottest
hell, you and your bosom-friend there, Pitichinaccio!" Thus screaming,
the devils fell upon Capuzzi, and he, with Pitichinaccio, went down,
both of them raising piercing yells of distress like those of a whole
herd of beaten donkeys.
Marianna had forcibly torn herself away from the old fellow, and sprung
to one side, where one of the devils folded her softly in his arms, and
said, in a sweet voice of affection: "Oh, Marianna! my own Marianna! it
has all come right at last. My friends are taking the old man a long
distance off, while we find some place of safety to fly to."
"My own Antonio!" Marianna whispered softly.
Suddenly a bright glare of torches lightened up the place, and Antonio
felt himself stabbed on the shoulder-blade. Quick as lightning he
turned round, drew his sword, and attacked the fellow, who was aiming a
second stab with his stiletto. He saw that his three friends were
defending themselves against a much stronger force of Sbirri. He
managed to beat off the man who was attacking him, and to join his
friends; but, bravely as they fought, the struggle was too unequal, and
the Sbirri must unfailingly have had the best of it, had not two men
suddenly burst, with loud shouts, into the ranks of the young fellows,
one of whom immediately floored the Sbirro who was taxing Antonio the
hardest.
The fight was now speedily decided to the disadvantage of the Sbirri,
and those of them who were not on the ground wounded, fled with loud
cries towards the Porto del Popolo.
Salvator Rosa--for it was no other who had hastened to Antonio's help,
and struck down the Sbirro--was for starting off without more ado, with
Antonio and the young painters who were in the devils' dresses, after
the Sbirri to town.
Maria Agli, who had come with him, and, notwithstanding his years, had
set to with the Sbirri like the others, thought this was not advisable,
as the guard at the Porto del Popolo, informed of the affair, would of
course arrest them all. So they betook themselves to Nicolo Musso, who
received them gladly in his small abode not far from the theatre. The
painters took off their devils' masks and their cloaks rubbed with
phosphorus; and Antonio--who, save for the unimportant prick in his
shoulder, was not at all hurt--brought his surgical skill into play,
all the others having wounds, though none of any importance.
Public-domain text, read in full here on John Shaqi.
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