The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
"What you say," answered Lothair, "reminds me of a most extraordinary
fellow whom I met with in a theatrical troupe in a small town in the
south of Germany, who was the exact image of that 'pedant' (to speak
technically) in Wilhelm Meister. Insupportable as he now was on the
stage in his little minor parts, _praying_ them out in the most direful
monotony, it was said that formerly, in his younger days, he had been
a capital actor, and used to play, for instance, those sly, scampish
inn-keepers which, in older times, used to occur in almost every
comedy, and over whose total disappearance from the stage the host in
Tieck's 'Verkehrter Welt' complains. When I knew this man he seemed to
have completely accepted his fate, which truely had been a pretty hard
one, and, in complete apathy, to place no value on anything in the
world, least of all on himself. Nothing penetrated the crust which the
heaping up of the most complete wretchedness had formed over the
surface of his better self, and he was perfectly satisfied with himself
under it; and yet there often beamed out of his deep-set, clever eyes
the gleam of a higher intelligence, and there would rapidly jerk over
his face the expression of a bitter irony, so that the exaggerated
submissiveness with which he bore himself towards every one--and
more particularly towards his manager (a silly young man, full of
vanity)--took, in him, the form of an ironical contempt. On Sundays he
used to take his seat at the lower end of the _table d'hôte_ of the
best hotel in the place, dressed in a good well-brushed suit of
clothes, whose cut and extraordinary pattern indicated the actor of a
long by-gone period; and there he enjoyed a hearty meal, never saying a
word to a soul, although he was exceptionally temperate, particularly
as regarded the wine, for he scarcely half-emptied the bottle which was
placed before him. At each filling of his glass he made a courteous bow
to the landlord, who gave him his Sunday dinner in return for his
teaching his children reading and writing. It happened that I was
dining one Sunday at this _table d'hôte_, and found only one vacant
seat, which was at this old fellow's side. I hastened to occupy this
place, hoping that I might have the good fortune to bring to the
surface that better spirit which must be shut up within the man. It was
difficult, almost impossible, to get hold of that spirit. Just when one
thought one had him, he suddenly dived down, and slunk away in utter
humility of submissiveness. At length, after I had with difficulty
induced him to swallow a glass or two of good wine, he seemed to begin
to thaw a little, and spake with visible emotion of the fine old
theatrical times, now past and gone, apparently never to return. The
tables were being cleared; one or two of my friends joined themselves
to me; the player wanted to take his leave. I held him fast, though he
made the most touching protests. A poor superannuated actor, he said,
Public-domain text, read in full here on John Shaqi.
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