value, yet possessing a considerable inkling of its worth. The writer seemed to me much like one of those who are victims of that form of insanity of which the predominant symptom is 'fixed idea.' Those unhappy people are, in their lucid intervals, aware of their delusions; but, to soothe the comfortless horror of that consciousness, they strive to convince themselves that in those very delusions their highest and truest existence lives and moves. And this they do by the most ingenious sophisms; striving also to induce themselves to believe that their consciousness of their delusion is nothing but the sick doubting of Humanity immeshed and enslaved in the Earthly. And in the preface which I am speaking of, the writer touches upon the second part of the 'Kreuz an der Ostsee,' admitting this." "Please don't make such horrible faces, Lothair! Sit still on your chair, Ottmar; don't drum the Russian Grenadiers' March on the elbow of your seat, Vincenz. I really think that the author of the 'Soehne des Thales' deserves to be discussed rationally and quietly by us, and I must confess that my heart is very full of this subject, and I cannot help letting the froth which is seething there boil thoroughly over." "Ha!" cried Vincenz, very loudly and pathetically, "how the froth seethes!--now that is a quotation from the 'Kreuz an der Ostsee,' where the heathen priests sing it in fearful and horrible strains. My dear Serapion-Brother Theodore, you may rage, revile, curse and blaspheme as much as you please, but I must just introduce into this many-sided discussion one little anecdote, which will throw, at all events, a momentary glimpse of sunshine over all those corpse-watchers' countenances. The author of whom we are speaking had got together a few friends that he might read to them the 'Kreuz an der Ostsee' from the manuscript. They had heard some passages from it before, which had raised their expectations to the highest pitch. The author had, as usual, seated himself in the centre of the circle, at a small table where two candles were burning in tall candlesticks. He had taken his manuscript out of his breast-pocket, and laid down before him his big snuff-box, and his blue-and-white checked pocket-handkerchief. Profound silence reigned. Not a breath was audible. The author, making one of his extraordinary faces, which defy all description, began as follows:-- "'Bankputtis!--Bankputtis!--Bankputtis!' "Of course you remember that, in the opening scene, at the rising of the curtain, the Prussians are discovered, assembled by the seashore, collecting amber; and they invoke the deities who preside over this. Very well. The author, as I have said, began with the words-- "'Bankputtis! Bankputtis!"