Great Britain -- History -- Stephen, 1135-1154 -- Fiction; Murder -- Fiction; Revenge -- Fiction; Serfs -- Fiction
The accidents of time, place, and colour, had so beautifully blended
into a perfectly proportioned whole that it seemed more of design than
chance.
Lisolé smiled down at the big man. "My jesting days are long gone by,"
he said. "But, messires, I will try my hand for you this noon if
perchance it has not lost all cunning. Once I had knowledge of the art
of legerdemain, by which the hands, moving very swiftly and with
concealed motions, do so trick and deceive the eye that he knows not
what a-hath seen."
With a gurgle of satisfaction, Brother Felix sat up and propped himself
against the cabin. Hyla drew nearer, with attentive eyes.
Lisolé left them for a moment and went inside the cabin. He came out
with several articles in his hands, which he put beside him on the deck.
He showed them his bare hands, and then suddenly stretching out his
right arm he caught at the empty air, and, behold! there came into his
hand, how they could not tell, a little rod of black wood a foot in
length or more.
A swift change came into his voice. It sank a full tone and became very
solemn. His face was very grave. Hyla watched him with wide eyes and
parted lips.
He turned to the serf, "Now, Hyla," said he, "art about to witness art
magic, but none of Satan's, so be brave. Take you this little wand of
enchaunted ebon-wood and say what dost make of it."
Very timidly, and with a half withdrawal, Hyla's great brown paw took
the toy. He examined it, smelt it like a dog, and then with some relief
gave it back to the owner.
"'Tis but a little stick of wood," he said.
"Natheless, a stick of good magic, thrall, for 'twas of this wood that
the coffin of Mahound was built."
Hyla crossed himself reverently. He was surprised to see the monk was
smiling easily. "The holy man has known these things of old," thought
he, with a humble recognition of his own limitations and ignorance. "He
seemeth nothing accoyed."
Lisolé cleared a space on the deck in front of him, and laid the wand
upon it. Then he stretched out his hand over it, as though in
invocation. "_By the Garden of Alamoot where thou grew_," he cried,
"_and by the virtue of the blood of Count Raymond of Tripoli, whose
blood fell on thee as he died in that garden, I command thee to do my
will, little black stick_."
He took a little pipe of reed from his belt, and, stopping one end with
his finger, blew softly through it.
A mellow flute-like note quivered through the air. Hardly pausing for
breath, the jester continued the monotonous cooing sound for several
minutes.
Hyla watched the wand with fascinated eyes. Suddenly it began to tremble
slightly and to roll this way and that. The pipe changed its notes and
broke into the lilt of a simple dance. Simultaneously with the change
the little stick rose up on its end and inclined itself gravely to each
of them in turn. Then it began to hop up and down, retreating and
advancing, in time to the music.
Public-domain text, read in full here on John Shaqi.
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