The second mutilation was the only corporeal modification noted by early missionaries and explorers—it was the perforation of the nasal septum for the insertion of a skewer, perhaps of polished stone (though doubtless more commonly of bone), to which swinging objects were attached. One of the most useful records is that of the Jesuit, Padre Joseph Och, who described the nasal attachment as a small, colored stone suspended by cords from the perforated septum, and guarded with such jealous veneration that “one must give them at least a horse or a cow for one” (ante, p. 78); while according to Hardy’s record, the nasal fetish is “a small, round, white bone, 5 inches in length, tapering off at both ends, and rigged something like a cross-jack yard.”[262] The custom is apparently obsolete, and nothing is known directly of details or motives. [262] Travels, p. 286. [Illustration: FIG. 7—Snake-skin belt.] Excepting these mutilations the corporeal decoration of the Seri is apparently limited to the face-painting: among the 60 individuals at Costa Rica in 1894 there was no trace of tattooing or scarification of face, limbs, or body; there were no labrets or earrings, and neither lips nor ears were pierced, nor were nasal septa observed to be perforated in accordance with the reputed ancient custom; the teeth were neither filed nor drilled; no indications of amputation or other maiming (save the removal of the incisors) were observed—indeed, the instinct for physical markings of symbolic or decorative character, which seems to be normal to primitive men, was apparently satisfied by the prevalent and persistent face-painting among the females. The extra-corporeal decorative devices are of a meagerness and poverty even transcending the poor apparel, flimsy habitations, and generally ill-developed artifacts of the lowly tribe. [Illustration: BUREAU OF AMERICAN ETHNOLOGY SEVENTEENTH ANNUAL REPORT PL. XXVII SERI FACE PAINTING PARAPHERNALIA.] [Illustration: FIG. 8—Dried flower necklace.]