A still more beautiful example of Seri stone art is depicted in plate LV. It is of the same homogeneous and coarse-grained granite as the last specimen, and closely approaches it in dimensions; it is slightly longer and broader, but somewhat thinner, and weighs 1 pound 11 ounces (0.77 kilogram); and, except for the absence of the accidental notch, its artificial features are still more closely similar. The ends are slightly battered, as illustrated in the end view at the right of the plate; the edges are similarly worn, but to a less extent; while both sides have been symmetrically faceted by use in grinding, the facets being straight in the longitudinal direction but slightly curved in the transverse direction, in the shape of the Mexican mano. The specimen displays well-marked color distinctions between the artificially worn and the natural surfaces, the former being gray and the latter weathered to yellowish or pinkish-brown; these colors show that something like two-thirds of the surface is artificial and the intervening third natural; and the natural portion corresponds in every respect, not only in form but in condition of surface, with the granite cobbles of Seriland’s stormy shores. Unfortunately the color distinctions, with the limits of faceting and other artificial modifications, are obscure in the photomechanical reproduction; they are indicated more clearly in the outline drawing oversheet. The specimen is partially saturated with fat, and bears an ocher stain attesting use in the preparation of face-paint. It was found carefully wrapped in a parcel with the shell paint-cup illustrated in plate XXVII, a curlew mandible, two or three hawk feathers, and a tuft of pelican down (the whole evidently forming the fetish or medicine-bag of a shamanistic elderwoman), in an out-of-the-way nook in the wall of an abandoned jacal at Punta Narragansett.